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First Look Inside Stumptown Coffee At The New Orleans Ace Hotel

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On Saturday, April 2nd our friends & partners at Stumptown Coffee will kick open the doors to their first cafe in the American south, in the great city of New Orleans. Located at 600 Carondelet Street in the Warehouse District, this is Stumptown’s third collaboration cafe with the Ace Hotel, following locations in Portland and New York City. The cafe has been in the works since summer 2015, with Stumptown confirming the project to Sprudge in August of that year.

Located in a former carriage house adjacent to the hotel proper, Stumptown New Orelans is a “Cold-Brew focused coffee bar”, as per Stumptown Vice President Matt Lounsbury. Inspired by vintage European beer taps, the menu is anchored by the introduction of what Stumptown calls the “Cold Shot”—the brand’s Hair Bender espresso blend, concentrated and infused with nitrogen. The resulting drink is “the equivalent of a cold, creamy shot of espresso.”

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A variety of signature drinks will be on offer to mark the cafe’s launch, including a caffeinated Mint Julep riff called the “Endless Summer” and a Cold Brew Arnold Palmer dubbed “The Duane Sorenson”, named for Stumptown’s founder. Bar equipment from La Marzocco, ModBar, glassware by The Great Society, interior design by Roman and Williams, and a pastry menu by fellow Ace-dwellers Josephine Estelle round out the cafe’s offerings.

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This is the first new Stumptown cafe to open since the brand was acquired by Peet’s and parent group JAB in October 2015. As per our interview with Lounsbury back in the middle of the acquisition hubbub, Stumptown’s future expansion plans call for upcoming projects in Austin and Washington DC.

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All photos courtesy Stumptown Coffee Roasters. 

The post First Look Inside Stumptown Coffee At The New Orleans Ace Hotel appeared first on Sprudge.


This New Bike Helmet Makes Pour-Over Coffee

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Coffee is the fuel of many cyclists. It’s what keeps the legs spinning and the heart pumping. Whether it’s before a ride or after, a coffee-loving cyclist will tell you that there’s no better drink (well, except for maybe a beer).

But the struggle for the coffee-loving cyclist has always been how to brew while on a ride. Some stash a hand grinder into their jersey pocket, and strap a stove and a brewing device to their rack, because enjoying coffee outside isn’t just a fun pastime; it’s a lifestyle.

Making it easier to live that lifestyle, partnering with fellow Portlanders Stumptown Coffee Roasters, Nutcase Helmets has released its latest helmet, the ‘POUR’tlander, a helmet adorned with the bold colors of the Portland flag. But unlike other helmets, this one isn’t just for protecting your brain; the ‘POUR’tlander doubles as a coffee brewer. 

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“We’ve been riding bikes with the team over at Stumptown for a while now. We love what they do and had been looking for a way to collaborate. The ‘POUR’tlander™ seemed like such a natural fit. Honestly, I’m surprised we didn’t think of it sooner,” says Marketing Manager Tom Rousculp.

Working with Stumptown Coffee to develop the helmet, the ‘POUR’tlander is made to help coffee and cycling enthusiasts brew with precision. The result is a unique brewing experience and flavorful result. “The natural shape of the helmet creates some nice restriction in the grounds bed, creating a cup that not only has elements of a traditional pour over but also notes from emersion methods as well. The result is a cup that is sweet but also savory,” says Stumptown’s Head Coffee Roaster Steve Kirbach. “It’s such a personal experience, I feel like there is a little bit of me in every cup. Sometimes you just like to feel wild and unfettered.”

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No matter where you are, you’ll always have your brewing device with you, allowing for the perfect cup of coffee, anytime. “It works so well,” says Rousculp, highlighting the practicality of the helmet for cyclists focused on only packing with the bare essentials. “With the ‘POUR’tlander there’s one less thing to pack on campouts from now on.”

The ‘POUR’tlander takes inspiration from the simplicity of other pour over devices, and you don’t need much more than water, ground coffee and your helmet to get started. If you’re new to coffee brewing in a bike helmet, Nutcase also has a detailed brewing guide that you can follow:

1. Get your gear together

Gather up your camp stove, coffee mill, filter, coffee beans, and favorite camp mug, and head out to your local park.

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2.  Prepare your pour over helmet

Flip your helmet over with the top ventilation hole placed over your mug. Place your basket filter inside your helmet.

3. Rinse your filter

Boil water with your stove. Pour the hot water through the filter to rinse out any residual paper flavor.

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4. Measure and grind your beans

Grind 23 grams of your best beans (about 3 tablespoons) with your coffee mill. Hand grinding can be hard work, but don’t worry, your sweat-equity will pay off.

5. Saturate the grounds

Pour just enough water, now about a minute off the boil, over your grounds to saturate, allowing the coffee to “bloom.” Wait about 20 seconds.

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6. Pour up to mid-helmet

Once the coffee has bloomed, pour water up to mid helmet level, taking care not to wet your foam pads.You don’t want to get any off flavors from the built up sweat in your cup.

7. Remove helmet and enjoy

Once you’re satisfied with the amount of coffee you’ve brewed, remove your helmet and toss your filter. Take a step back, breathe deep from the steam rising off your cup, take an Instagram (#coffeeoutside, after all), and enjoy the fruits of your labor.

To get you started on a spring of #coffeoutside, Nutcase Helmets is also offering a 8-ounce bag of Stumptown’s Hair Bender with every purchase of the ‘POUR’tlander now through April 3.

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Anna Brones is a staff writer at Sprudge.com. Read more Anna Brones on Sprudge

The post This New Bike Helmet Makes Pour-Over Coffee appeared first on Sprudge.

Chiang Mai: A Coffee Lover’s Guide

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chiang mai thailand coffee cafe guide drip for friends asama ristr8to ponganes roasters akha ama sprudge

chiang mai thailand coffee cafe guide drip for friends asama ristr8to ponganes roasters akha ama sprudge

As a tourist destination, Chiang Mai is famous for temples, elephants, and traditional Thai culture. However, that’s all changing. Chiang Mai’s incredible arts and food scenes have been given international attention by Anthony Bourdain’s television series Parts Unknown, with chef and restaurateur Andy Ricker helping bring faithful version of this cuisine to the United States through his Pok Pok restaurants in Portland, New York, and Los Angeles. A city of street vendors, art malls, and live music, Chiang Mai has developed a young, exciting coffee scene to complement its many charms.

Traditionally, Thai coffee has never been anything to write home about. For many years it was overshadowed by other crops—most notably opium, grown nearby in the infamous Golden Triangle region where Laos, Burma, and Thailand intersect. Due to a focused effort from the government and NGOs, Thai farmers have turned to coffea arabica in ever greater numbers as the cash crop of choice, the best of which fuels Chiang Mai’s booming coffee scene.

Rumor has it that there are more cafes than 7-Elevens in Chiang Mai—and as anybody who’s been to Thailand would testify, that means a heap. The city feels like a public experiment in fashioning a new coffee culture; it’s one of only a few places on earth where you have progressive roasters, baristas, coffee lovers, and cafe owners within just an hour’s drive of coffee plantations and farmers. That means there’s always some cross-pollination going on; some tinkering with a new way of achieving the perfect honey process or a backyard attempt at growing Geisha.

The overall effect for a coffee lover is not unlike a wine geek in wine country: your proximity to every step of the production chain results in a series of singular, distinctive experiences. The scene is intimate but exploding, young but tethered to an ancient agricultural tradition in Northern Thailand. Most of these coffees aren’t available outside of Chiang Mai—you have to go here for this coffee experience, one that comes with the added perks of food, art, music, booze, and an irrepressible street rhythm.

If you love coffee—heck, if you have a pulse—you’ll love Chiang Mai. Here’s a guide to five of the city’s very best coffee bars to get you started. Chai-yoh!

chiang mai thailand coffee cafe guide drip for friends asama ristr8to ponganes roasters akha ama sprudge

Akha Ama Coffee

Set up by Lee Ayu to help his hill tribe community sell their beans at a fair price, Akha Ama today is today perhaps Thailand’s most exciting coffee company. Akha Ama, which is named after the Akha tribe, started out in 2009 as a small cafe using a home-style espresso machine. Today the company runs two busy cafes, roasts its own beans, and produces 35 tons of coffee a year. Akha Ama also provides a livelihood for Akha youth looking for a job in the city. According to Ayu, many of the baristas actually brew coffee cultivated by their relatives at the mountain.

We interviewed Lee Ayu back in 2014, and then as now one of the most interesting innovations of Akha Ama is that the company’s single-origin coffee is truly single-origin. On the bag of beans, there’s just a pencil sketch of the farmer’s face and name. Akha farmers are the most skilled in Thailand, being able to grow true Arabica varieties such as Bourbon, Caturra, and Typica in favor of the lower quality, but disease-resistant, Catimor. Ayu has been training with Stumptown Coffee Roasters in recent years, and that’s starting to become evident in his beans. The roast is light, which has given birth to the Thai term ponlamai, meaning fruity.

Akha Ama has multiple locations. Visit their official website and follow them on Facebook, Twitter, and Instagram.

chiang mai thailand coffee cafe guide drip for friends asama ristr8to ponganes roasters akha ama sprudge

Ponganes Coffee Roasters

Rawi “Pong” Kasemsuk from Ponganes Coffee Roasters is the kind of barista who will recommend a certain espresso for you based on what the weather is like on a given day. His blends aren’t really blends; they are more like artistic creations evoking moods and memories. The 100% Thai espresso I tried at this cafe tasted like raspberry with salty caramel and was a strong contender for the best espresso on this trip.

Kasemsuk is running the cafe with girlfriend and partner in crime, Pornpan “Nes” Vipaphan—hence the name Ponganes. It’s a small, rectangular place with a personal feel to it. Standing by the Kees van der Westen espresso machine tamping, twisting, and turning knobs, it’s hard to imagine any other barista in their shoes.

Pong and Nes worked at coffee shops in Sydney for several years, and their cafe does have a slightly Aussie feel to it. It’s certainly not a “third place” to chill all day with your MacBook or gossipy friends, and there’s only a handful of seats with no real tables. The way Pong describes it, it’s rather a showroom. The couple’s main business is actually wholesale customers buying beans.

Ponganes has a strong selection of Thai beans along with a few international classics such as Ethiopia Yirgacheffe and Pacamara from Central America. It’s a good place to stock up on brewing equipment as well.

Ponganes is located at 133/5 Ratchapakinai Road. Follow them on Facebook and Instagram.

chiang mai thailand coffee cafe guide drip for friends asama ristr8to ponganes roasters akha ama sprudge

Ristr8to Coffee

Nimmanhaemin is without a doubt the trendiest neighborhood in Chiang Mai. And among all the hip cafes there, Ristr8to Coffee is my favorite.

This is serious coffee wrapped in luxurious drapes. Ristr8to claims inspiration from Australian coffee culture, with an extensive, almost encyclopedic menu of coffees and coffee styles from all over the world. Ristr8to does all the usual stuff like pour-over and syphon, but their baristas really shine when it comes to milk-based drinks. They make a Gibraltar (originally from San Francisco), a flat white (originally from New Zealand), and even something called “The Ethiopian Monkey”, a boozy drink of unknown provenance served in a skull-shaped vessel.

Service at Ristr8to is overseen by head barista Arnon Thitiprasert, a multi-time national latte art champion who placed fifth at the World Latte Art Championship in Gothenburg in 2015. Ristr8to currently runs two cafes and also has a so-called “lab” that doubles as roastery and convenient backdrop for Instagram-selfies. Clearly, this is all expat catnip, but the scene inside Ristr8to is a happy blend of local and tourist, striking the balance between travel destination and neighborhood haunt.

Ristr8to Coffee has multiple locations. Visit their official website and follow them on Facebook and Instagram.

chiang mai thailand coffee cafe guide drip for friends asama ristr8to ponganes roasters akha ama sprudge

Drip for Friends Cafe

If you are looking for the perfect antidote to all the Starbucks of the world, you could hardly go anywhere better than the appropriately named coffee shop Drip for Friends. The cafe which opened back in 2014 is run by Hoong Nuttanunt—an art graduate with an eye for quirky details and atmosphere.

There actually is an espresso machine at the establishment, but it looks like it hasn’t been used anytime in recent history. Pour-over is the preferred method at Drip for Friends and the Donut Dripper is the go-to brewing device. It’s a refreshing change from the ubiquitous Kalita Wave and V60.

In spite of the cafe being on the smallish side, there’s an impressive range of coffee paraphernalia and art on display, worth a visit for this alone. Luckily the cafe also offers splendid coffee, featuring a wide range of freshly roasted Thai beans along with a few international offerings.

Hours at Drip for Friends are currently by prearranged appointment only, which can be done through the cafe’s Facebook page.

Drip for Friends Cafe is located at The Passion, Room 107, 15/9 Moo 5, Pongnoi Road. Follow them on Facebook and Instagram.

chiang mai thailand coffee cafe guide drip for friends asama ristr8to ponganes roasters akha ama sprudge

Asama Cafe

Hidden away just a bit outside the frenetic main roads of Chiang Mai, you’ll find Asama Cafe. Only a few cafes in Thailand are able to rival the natural surroundings of Asama. Set in a lush, green area with a river running calmly beside, it’s the perfect tranquil place to sip your espresso and contemplate the meaning of life, take pictures of the water lilies, or gaze into the eyes of your coffee date.

Asama was founded by Asama “Mook” Vichaidit, a coffee geek who means serious business. She is both a WBC and WLAC certified judge and runs the espresso machine herself most of the time. That machine is a Spirit manufactured by the Dutch company Kees van der Westen—rare all over the world, and almost unheard of here in Thailand.

Asama is renowned for their Espresso Panna Cotta, a drink based on the traditional Italian dessert finished with a freshly pulled ristretto shot on top. Until recently Vichaidit would only make four panna cottas every day. Now the number has increased to 12, but still they’re often sold out before noon. Go early or call in advance to make a reservation. The restaurant right next door is owned by Vichaidit family members, and according to the reviews, they share her finely attuned taste buds.

Asama Cafe is located at 122/128 Moo 6 Klong Cholpratarn. Follow them on Facebook.

Asser Bøggild Christensen (@hipsterkaffe) is a Danish journalist based in Asia covering tech and the digital nomad movement for Information, F5, and more. This is Asser Bøggild Christensen’s first feature for Sprudge.

Photos courtesy of YanYan Wan.

The post Chiang Mai: A Coffee Lover’s Guide appeared first on Sprudge.

Coffee’s Many Alien Mysteries, Revealed

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Coffee: So delicious, and yet so mysterious. Is it a naturally occurring earth-bound substance? Or could it perhaps be the work of ancient aliens?  Our feature series is less funny now that this is around half of ViceTV’s schtick, but still we ask you to void your mind of all preconceived notions, as our Paranormal Theories columnist Bixby Klendathu delves deep into the mysteries that surround coffee’s origin.

In a previous screed for Sprudge, we revealed genetic and anthropological evidence of the extraterrestrial origin of coffee, and its role in early proto-human history. These, however, are not the only lines of evidence that begin to unravel the mystery of coffee’s history, chemistry, and crypto-utility among the ancients. And important questions remain, including—most critically—is coffee still a tool of extraterrestrial control of the human species?

My investigative team has been working on revealing new evidence, and we’re excited to share our conclusive findings.

Since it is well-known and easily proven that the secret knowledge of human proto-history has been concealed and archived by the secret societies (Freemasons, Knights Templar, etc.), the examination of Masonic rituals, symbols, and teachings have led to huge and explosive findings. If coffee is an ancient substance developed by secret intelligence in ancient Sumer-Babylon-Egypt we would expect to see abundant Masonic symbology in the coffee trade.

Our investigation incontrovertibly proves that this is so.

Exhibit one: the logo of leading Third Wave coffee company Intelligentsia Coffee. An examination of their corporate logo reveals “the all-seeing eye of Horus”—the classic Masonic/Egyptian symbol—embedded in what looks to be a cup levitated by wings. This eye looks up at a five-pointed star, another important Masonic symbol.

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Portland coffee company Stumptown Coffee Roasters also has secret, sacred Masonic symbology embedded in their logo: their “horseshoe” icon is familiar to initiates of the secret rite, and the term “good luck” along with an illustration of a handshake (perhaps symbolizing human-god/alien interaction?) feature strongly on their label.

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Finally, fast-expanding (fueled by intergalactic technologies??) San Franciscan coffee company Blue Bottle Coffee is an obvious reference to the arcane Masonic Blue Flask, embossed with imagery of Freemasonry. For what secret purpose is this bottle made?

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This evidence shows conclusively that iconic Third Wave coffee companies have close connections to secret Masonic ancient knowledge. Here is what we know: humans were engineered in ancient times by visitors from a planet known only to them as “Nibiru,” by the visitors who mixed alien DNA with ape-DNA from Earth. Coffee (KHWH) was developed as a performance enhancer/emotional control substance for the overseer aliens to administer to proto-humans while they worked in the ancient Ethiopian mines controlled by the “Annunaki” overlord-alien-God-angels. Just as we have descended from the genetically modified alien-apes, we have brought with us our ancient mind-control substance, we call it “coffee.”

KAAL-D (“Kaldi”) is presumed to be the Annunaki scientist who performed this genetic graft, with assistance from the “goat-faced” aliens, and also the greys.

QUESTION: ARE THE COFFEE COMPANIES IN ON THIS SECRET?

You will notice that a very large number of “enlightened” coffee companies have bird or wing logos. Is this a reference to the airborne Annunaki/alien/angel visitors who created coffee in the first place? Is the eye of Horus/star/horseshoe/handshake a symbolic representation of the overlords/ dark star Nibiru/DNA/connection story? It seems so.

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WHAT IS THE MESSAGE?

Our research has revealed a great deal of coded information on coffee bags, websites, coffee shop chalkboards, etc. This falls into two main categories:

CATEGORY ONE: GEOGRAPHIC COORDINATES

Some coffee companies transmit map-clues in their very names (Equator Coffees & Teas, 49th Parallel Roasters). Many others use specific farm names, GPS information, and, most tantalizingly, FARM ALTITUDE on their coffee descriptions. For what possible purpose would farm altitude data be except to communicate geographic landing-site KHWH information to embedded alien agents? Or perhaps hasten the coming Extraction Operation (“extraction” being a term of variable usage) by forcing coffee cultivation further up our mountain chains (themselves crafted by the magnetic forces of the Dark Star)?

CATEGORY TWO: DOSAGE/LOT INFORMATION

Remembering that KHWH (coffee) is a genetically-engineered performance/mood enhancing substance, Annunaki overlords must monitor dosage and lot information. Special priest-scientists (Q Graders/”cuppers”) assign 1–100 numbers to each coffee along with hidden codes taken from a special, colorful mandala, or “flavor wheel”. THIS IS ENCODED DATA. Several sources cite psychic mind-control properties in flavor descriptions that entice human subjects to consume KHWH (Example: 87 point lemon-jasmine-molasses).

We ask concerned citizens to collect and share coffee-label data with us so we can continue to compile and translate the secret Annunaki codex we feel is being transmitted DAILY in specialty coffee shops around the world. The harvest is night, equatorial and otherwise, and only by gathering data points and unraveling the codex will we able to prepare and staff accordingly for the coming rush.

Bixby Klendathu is a coffee enthusiast, Akkadian language scholar, and ardent UFO disclosure advocate. He contributes to a number of publications from his home in Pahrump, Nevada. Read more Bixby Klendathu on Sprudge.

The post Coffee’s Many Alien Mysteries, Revealed appeared first on Sprudge.

Is Direct Trade Fair?

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In April of 2008, journalist Michaele Weissman released her groundbreaking book God in a Cup: the Obsessive Quest for the Perfect Coffee. Now, in a three part series on Sprudge, Weissman revisits specialty coffee’s effort to alter the relationship between coffee growers and buyers by introducing innovative, relationship-based sales practices known collectively as “Direct Trade.”

Part one: Is Direct Trade Fair?

Nine years ago I wrote a book called God in a Cup describing my adventures in coffee-growing countries following Third Wave coffee buyers Peter Giuliano of Counter Culture Coffee in Durham, Geoff Watts of Chicago’s Intelligentsia Coffee, and Duane Sorenson of Portland’s Stumptown Coffee Roasters. In addition to contributing to the myth around my trio of sources, the book gave readers a bird’s-eye view of the specialty industry. It did this by dramatizing scenes from the buyers’ work lives. Some of the book’s most compelling moments showcased the emergence of a new, face to face way for small roasters to buy coffee at origin from farmers they worked with year after year.

The purchasing model, dubbed “Direct Trade” by Watts, reconceived the relationship between buyer and seller as a partnership with two goals: expanding the supply of quality beans and elevating growers who focused on quality out of poverty.

The buyers had a third, softer goal. They believed respectful, non-exploitative interactions with their suppliers would go a long way towards removing the lingering stench of colonialism from the specialty business. Instead of the traditional zero-sum game—rich men reaping profits from the labor of poor—they looked to a future in which all would grow rich—well, richer—together.

Functionally, the program introduced the practice of farmers separating their beans into quality-rated lots. But from its inception, specialty roasters recognized Direct Trade’s importance as a marketing tool. By promoting their relationships with farmers and by telling the stories of the coffees they sold, they sought to add value to their products. Not only did this strategy work, it significantly upped the profile of small-scale specialty roasting companies, setting into motion the tremendous expansion that has taken place in the industry in recent years.

When roasters sold and served exquisite coffees that they had helped nurture into existence at farms perched on mountainsides halfway around the world, customers were willing to pay more for the contents of their cups. As with shoppers at farmers’ markets paying more for heirloom tomatoes, the stories behind their purchases made a difference. Customers opened their wallets for the taste of the coffee and the meaning embedded in the taste. This is a crucial point: the value of specialty coffee is a function of both pleasure and meaning.

Writing God in a Cup, I appreciated the sincere desire of many specialty coffee buyers to improve the lives of coffee farmers, but I was skeptical of a business model that relied on buyers to simultaneously pursue their own best interests and the best interests of their suppliers. What happened when those interests ceased to converge? That question went unanswered.

In the intervening years as I continued to follow developments in the specialty industry, my concerns about Direct Trade grew. On the consumer end of the supply chain, things looked good. There was more high-quality coffee available in the US, and there were more quality-oriented small roasters and cafes. But what about the farmers? The challenges they faced—droughts and floods brought about by climate change, pestilence such as coffee leaf rust and coffee borer beetles, economic and political dislocation driving young people off of coffee farms and into cities—seemed downright biblical.

Could Direct Trade overcome all these problems? I had my doubts. Seemed to me marketing had subsumed Direct Trade’s other goals. Like many lovers of specialty, I grew tired of hearing neophyte roasters describe their trips to origin to buy coffee from “poor farmers” who were their new best friends. (Noah Namowicz, partner and VP of sales at Cafe Imports has called these enthusiasts “white Jesus saviors.”) If so many roasters were saving so many coffee farmers, why were producers in so much trouble?

The story might have ended there. With cynicism triumphing over hope.

But then, remembering Giuliano and Watts’ moral seriousness when discussing Direct Trade, I decided to dig a little deeper. Which explains why I spent September researching this article, talking with a dozen and a half specialty roasters, growers, importers, and all-around coffee gurus. To my surprise, what I learned about Direct Trade was more nuanced—and more hopeful—than I expected.

Yes, the vast majority of coffee farmers worldwide struggle to survive. Still, there is reason to believe the Direct Trade model when pursued sincerely is a force for good, leading to improved incomes for farmers and an increased sense of producer optimism. This is the central finding of the most rigorous assessment of Direct Trade undertaken to date, the five-year Borderlands project, funded by the Howard G. Buffett Foundation.

Direct Trade isn’t a panacea. But for farmers hoping to earn a better living, it does appear to be the only game in town. As Michael Sheridan, Intelligentsia’s newly hired director of sourcing and sustainability who managed the Borderlands project while working for Catholic Relief Services in Latin America told me: “Direct Trade is the worst system for buying green coffee we have, except for all the others. Yes, there are problems, especially problems of scale, but it’s the best we have.” Sheridan, a one-time skeptic, is eager to see Direct Trade expand.

“The Best We’ve Got”

Back in 2008, Geoff Watts wrote a set of Direct Trade standards for Intelligentsia that mandated how the company would do business at origin. These standards continue to shape Intelligentsia’s buying program and are posted on the company’s website. They stipulate first and foremost that the quality of Direct Trade coffee must always be exceptional. In addition, sellers and buyers were required to commit themselves to financial “transparency,” and growers were required to engage in “healthy” environmental and “sustainable” social practices—though these words were not fully defined. In return, Intelligentsia promised that the “verifiable price to the grower or local co-op” would be “at minimum 25 percent above the Fair Trade price.” (Prices are often much higher.) And finally, Intelligentsia assured farmers that its buyers would visit their Direct Trade partners at origin at least once a year, but ideally three times a year.

PT’s Coffee Roasting Company of Kansas City, MO adheres to Intelligentsia’s standards. Counter Culture, with the industry’s most rigorous Direct Trade standards, publishes an annual transparency report on its website showing how the money it pays for green coffee travels along coffees’ long supply chain. Two other quality-focused coffee companies, Tim Wendelboe (Norway) and 49th Parallel (Canada), publish similar transparency reports. Among other companies committed to transparent buying standards and nurturing long-term relationships with growers are Stumptown, Irving Farm Coffee Roasters of New York, Heart Coffee of Portland, Oregon, Madcap Coffee Company, Grand Rapids, Michigan, Stone Creek Coffee of Milwaukee, Wisconsin, and Verve Coffee of Santa Cruz, California. To determine how assiduously these and other companies carry out their Direct Trade programs would require close examination of their financials beyond the scope of this article. What can be said with certainty, however, is that the standards set out at the end of the last decade have had a significant impact on the specialty coffee industry.

First: The Bad News

Direct Trade started out as a model mixing business with philanthropy. Buyers promised to pay a “quality premium” to growers with the idea that this influx of cash would help coffee-growing communities underwrite projects alleviating poverty—building wells, buying electrical generators, establishing health clinics, that sort of thing. On occasion the roasters participated hands on, playing roles in the building of wet mills, schools, and other infrastructure improvements.

“We thought we could use the engine of altruism to alter capitalism,” says Giuliano, Senior Director, Specialty Coffee Association of America, recalling his years buying green coffee for Counter Culture.

To the buyers’ surprise, growers didn’t want outsiders intruding in their communities and telling them how to spend their money. “Development is a discipline of its own,” says Giuliano, adding with a laugh that coffee roasters know as much about digging wells as development professionals know about roasting coffee.

Moreover, the Direct Trade “quality premium” had the unintended consequence of pitting specialty roasters against Fairtrade International, which had its own premium program, a social premium, based not on coffee quality, but on agricultural labor practices. A bitter turf war broke out between the specialty roasters and Fairtrade International. “There were absolutist attitudes on both sides,” comments Colleen Anunu, Senior Manager, Coffee Supply Chain at Fair Trade USA.

Back then, “Direct Trade advocates believed paying higher prices for quality would alleviate poverty,” Anunu explains. But poverty turned out to be far more deeply entrenched than the buyers imagined. Learning this hard lesson was humbling. Over time, Anunu says, “worlds converged,” with Fairtrade International realizing farmers need to focus on quality coffee to earn more and specialty buyers realizing quality doesn’t happen, “without paying attention to farm conditions.”

Today buyers no longer see themselves as philanthropists or development officers. “With globalization, we don’t go to farms to save producers. We go as entrepreneurial partners,” explains Andrew Daday, director of green coffee at Stumptown. As to philanthropy, when Stumptown and others roasters want to do good, they tend to work in partnership with established NGOs.

The quality premium wasn’t Direct Trade’s only problem. More fundamental was its lack of a commonly accepted definition.

“Without a clearly stated definition,” says Kim Elena Ionescu, director of sustainability at the Specialty Coffee Association of America, “Direct Trade” tends to be more aspirational than programmatic…and in the long run companies do less good than their customers expect.”

“Direct Trade, at its very core, has no core,” says Trish Rothgeb, co-owner and roastmaster of Wrecking Ball Coffee Roasters in San Francisco and former director of programs at the Coffee Quality Institute (CQI). “While Intelligentsia has a set of principles to follow—Geoff Watts is the best in the business. He really does his homework—most companies are pretty cavalier about what constitutes Direct Trade,” Rothgeb says.

A prescient observer of the industry (Rothgeb coined the phrase “Third Wave”, among other achievements), she believes that without foundational documents and the kind of policing mechanisms possessed by certification programs like CQI, “Direct Trade” more often than not is a marketing strategy wrapped in a cloak of virtue. To wit: the well-respected importer, a person otherwise known for their integrity, who ships their coffees in bags stamped Direct Trade to roasters who may or may not have visited origin. “Mostly,” Rothgeb says, “the term Direct Trade just muddies the water.”

To illustrate her point, Rothgeb recalls an online exchange she had earlier in the year with a European roaster who reported with pride that he had just bought his first Direct Coffee. An online chorus of congratulations greeted his announcement.

Rothgeb, who buys Wrecking Ball’s green coffee (2016 predicted sales: 90,000 pounds) from importers she considers partners, asked the European roaster to define “the Direct Trade components” of his purchase.

Well, he said, he had visited the farm, and he planned to market the coffee as Direct Trade.

Rothgeb asked—what was his level of involvement with the farm? Was his contract with the importer or with the grower himself? Moreover, she questioned, “if the coffee doesn’t live up to expectations when it arrives, who will bear the financial burden?”

“I wasn’t being judge-y,” Rothgeb insists. “I just wanted to know what differentiated this purchase from any other.”

“To have meaning,” the importer Noah Namowicz offers, broadening out the debate, “Direct Trade has to be about more than a three-day vacation. Visiting origin is awesome, but spending time at a cupping table in Colombia doesn’t mean you and the grower are partners,” he says, “That alone does not add value to your coffee.”

“Direct Trade is tricky,” says Wille Yli-Luoma, the Finland-born co-owner and founder of Heart Coffee in Portland, Oregon.

Yli-Luoma, who discovered coffee as a second career after a successful run as a professional snowboarder, spends three months a year visiting coffee farms and admits to having a “love/hate relationship” with Direct Trade.

“I can’t tell you how many farmers in Colombia and Guatemala have complained to me about buyers who show up at the farm for a few days talking up a storm, telling them to do this and that, maybe double ferment, maybe honey ferment,” says Yli-Luoma. That’s all fine and good if their experiments work, but what happens if those ideas don’t pan out? And what right do buyers and roasters with no binding contract have to dictate to coffee producers—how is this Direct Trade?

“Time after time it’s the grower who is left holding the bag,” says Yli-Luoma, before adding with Scandinavian bluntness: “The problem is, a lot of roasters don’t know shit.”

***

Join us again in March for part two of the original reported series “Is Direct Trade Fair?” by Michaele Weissman on Sprudge. 

Michaele Weissman is the author of God In A Cup: The Obsessive Quest for the Perfect Coffee, published in 2008 by Houghton Mifflin Harcourt, and is a freelance journalist writing for The New York Times, The Washington Post, and The Wall Street Journal. This is Michaele Weissman’s first feature for Sprudge. 

The post Is Direct Trade Fair? appeared first on Sprudge.

Magic In The Moonshine: Cascara Booze Is Here

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Cascara, once little more than a waste byproduct of coffee production, is now the drink de rigueur of the worldwide coffee scene. Cascara is the dried husk of the coffee cherry. East Africa coffee producers have steeped dried cherry for hundreds of years, but it’s been a recognizable export only recently—we first covered it in 2010. Depending on its quality, the prepared drink (steeped like tea) is a reddish amber color, fruity, and has a honey-like sweetness. Cascara has held the interest of new-wave specialty coffee companies for nearly a decade, and now it’s moving into the booze world in the form of a cascara liqueur.

Before it was boozified, it was introduced to the United States in its purest form: served steeped alongside tea and coffee drinks at cafes like Stumptown Coffee Roasters, and sold wholesale by Durham roaster Counter Culture Coffee. In 2011, the Nordic Barista Cup worked with El Salvador producer and Sprudgie Award winner Aida Batlle to create a limited-edition cascara beer. Early cascara adopter Everyman Espresso experimented with the ingredient and created a syrup concentrate for cool refreshers like cascara soda. Square Mile Coffee Roasters used cascara as a substitute for cacao to create a chocolate-like bar for a coffee festival, and bottled cascara coolers are now available from Berlin to Grand Rapids to Phoenix. Sprudge used cascara kombucha as a punchline in a video, and years later it became a real beverage served at Scandinavian Embassy, alongside a raw oyster on a half shell with cascara infused butter.

And now, Cascara Moonshine from Sydney’s Campos Coffee, the Sydney-based coffee roaster with locations in Melbourne, Brisbane, Sydney, and Park City, Utah. Campos created the “world’s first” cascara liqueur, with a limited 100 bottle run in December of last year. Sprudge was lucky enough to slip a bottle across international borders, and brother, it’s something special—we hope they make a couple hundred more bottles in 2017.  I just had to learn more about this special spirit, so I reached out to Campos Head of Marketing Nathan James.

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Hey, Nathan! Cascara Moonshine. It’s real, and it’s spectacular. When did this new product debut?

Campos Cåscara Moonshine first made its debut mid-December last year, with a first run of 100 bottles and was sold out within the space of one day.

Who did you team up with to produce it?

John Thompson from Campos Coffee and Andrew Fitzgerald from Melbourne Moonshine teamed up to produce the world’s first liqueur based on the Cåscara coffee cherry bean. They went through many trials and test batches of the product before settling on its current flavour profile. The challenge was to not let the moonshine overpower the sweet taste of the Cåscara.

Where did you source the cascara?

Cåscara is produced by the Helsar De Zarcero micro-mill in Costa Rica. Local farmer Ricardo Barrantes and his daughters have worked to create a unique process of de-pulping and drying organic coffee. Unlike other cascara products on the market, the husks are dehydrated instead of sun dried. The result is a light, crispy shell, so crunchy you can eat as a snack.

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How has the response been?

We knew we were onto a good thing once we’d tasted the liquor but were unsure of how the public would feel, as Cåscara is relatively unknown in Australia. But the response has been overwhelmingly positive, with customers loving the sweeter notes in the liquor, not dissimilar to cherry. It’s a really approachable flavour that people will have never tried before, surprisingly though it tastes nothing like coffee. A sell-out of 100 bottles in just a day demonstrates the positive response so far.

Do you have a drink recipe you recommend?

Absolutely—we call this the “Cåscara Blood Moon”:

1 part Cåscara Moonshine (30ml)
1 part Campari
100ml of blood orange juice

Shake over ice, strain into an iced tumbler and garnish with a slice of ruby grapefruit. For a better effect, infuse the Campari with coffee beans by adding 50g roasted coffee beans to a bottle of Campari, cover and refrigerate overnight, and strain and return to bottle.

Can I pour it over ice cream?

We firmly believe anything that can be poured over ice cream, should be. However this is especially true for Cåscara Moonshine, with a sweetness that would pair perfectly with a vanilla, white chocolate or coconut ice cream.

How much is a bottle?

Cåscara Moonshine retails for AU$70 or US$52.62

We were thrilled to get to try this bottle. How can our readers do the same? Where does one buy this?

The boys at Melbourne Moonshine are busy creating another limited edition Cascara Moonshine batch, so if you’re interested head to our website and place your name on the waiting list, and we’ll be sure to let you know when the next batch is released.

Thank you! 

Zachary Carlsen is a co-founder and editor at Sprudge Media Network. Read more Zachary Carlsen on Sprudge.

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Stumptown Just Launched New Sparkling Cold Brew Cans

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With summer just around the corner (or if you’re from the South like me, it never really left, just kinda chilled out for a hot second), it’s time to start thinking about swimsuits, beach bods, and of course, cold coffee beverages. And Portland’s Stumptown Coffee Roasters may just monopolized the poolside coffee game with the release of their newest ready-to-drink concoction, the Sparkling Cold Brew.

Canned and ready to roll, the new Sparkling Cold Brew isn’t the function of an R&D lab, but had a much more organic genesis. According to Stumptown’s website:

The inspiration for Sparkling Cold Brew, like most ideas we have, was born in the cafe. For the past year, we’ve been mixing up fresh seasonal Cold Brew sodas in our home cafes. We first launched them in our New Orleans cafe last April, the idea emboldened by a city that loves iced coffee and drinking, in general. We started with the summery Endless Summer and bright Duane Sorenson, both refreshing versions of our favorite cold coffee cocktails.

Stumptown’s newest sparkling jammer comes in three different flavors: Original, with sugar cane and a hint of lemon; Ginger Citrus, a take on ginger beer; and Honey Lemon, their version of the Arnold Palmer.

The Sparkling Cold Brew can is the perfect summer accouterment to sneak into your local public pool (shout out to East Dallas’ Fraternal Order of Eagles Aerie 3108. I’ll see you soon, my love). And should maybe some whiskey or gin happen to fall into your refreshing coffee beverage, well then, certainly no one would fault you for imbibing it. Ever thus is summer.

And if you need more proof, check out Stumptown’s video, what I can only assume is someone who listens to a little too much Toro y Moi‘s attempt at a shot-for-shot remake of the Adventures of Pete and Pete from memory after a three PBR breakfast and thinking about cold brew a lot.

Zac Cadwalader is the news editor at Sprudge Media Network.

*all media via Stumptown

The post Stumptown Just Launched New Sparkling Cold Brew Cans appeared first on Sprudge.

True Stories From Uppers & Downers, The Festival Of Coffee Beers

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uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

In its third iteration as a festival (evolved from its more salon-like origins), this year’s edition of the Uppers and Downers coffee beer festival—from co-producers Michael Kiser of Good Beer Hunting and Stephen Morrissey of SCA—proved itself a juggernaut and staked a claim as one of the very best coffee beer festivals in the world right now. From the GBH agency’s design aesthetic, to the caliber of the roasters and brewers on offer, to the event’s handsome, historical venue, it’s a festival with something for everyone—provided you like coffee, beer, and the nexus between them.

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

Thalia Hall, home to Uppers & Downers.

Over two sessions spanning a caffeine and alcohol addled day, some 28 breweries poured more than 50 unique beers and ciders. Ales of all stripes were poured: wild, sour, stout, pale, brown, blonde, German, and Belgian (just to borrow a few descriptors). Some were big, boozy imperials, other were day-drinking-friendly low-alcohol-by-volume sour and session ales. There were opaque, coal-black stouts and transparent, golden ales. There really was something for everyone (unless you only drink pilsners, in which case hopefully being in the Pilsen neighborhood of Chicago would suffice).

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

One of the highlights for coffee lovers was definitely the gauntlet of La Marzocco GS3s and Linea Minis provided by sponsor La Marzocco Home and helmed by reps from some of the best and most well-known roasters in the country. None of the shots we tried disappointed—which presented a bit of a problem in terms of over-caffeination, but such is life. The Uppers on offer at this fest were truly a national affair, from Stumptown Coffee Roasters (based in Portland, coming soon to Chicago) through midwest stalwarts like PT’s Coffee Roasting Company, Intelligentsia Coffee, and Madcap Coffee Company, to bi-coastal Counter Culture Coffee, roasters large and small manned the event’s espresso row.

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

In addition to pulling espresso shots, sponsor Stumptown sent a crew to helm a cold brew bar where they showed off their new Sparkling Cold Brew cans alongside their more traditional chilled offerings. They were also pouring coffee and beer blends on site, including a spin on a traditional black and tan; where normally a nitro stout floats on a pour of a traditionally CO2-carbonated pale ale, Stumptown’s take saw them adding their nitro cold brew to a 3 Floyds Brewing Company Yum Yum session ale for a truly handsome drink.

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

Alongside smaller, local breweries with limited distribution were recognizable names like Firestone Walker Brewing Company (who brought a coffee variant version of their killer Parabola imperial stout) and Perennial Artisan Ales (who showed up pouring their recently-released 2017 Sump imperial stout, with Scott Carey of Sump Coffee also on hand with espresso). Those alone will get beer fans to take notice, but the biggest single beer nerd lure may be Goose Island’s storied Bourbon County Stout; the sponsoring brewery brought four years of coffee variants, three of which were offered in a special “vertical” tasting (same beer, three separate years): 2012, 2013, and 2014 poured next to each other for a comparison sherpa’d by Goose Island brewers. Judging by the line that snaked around the room for this, few attendees could pass up the chance to taste these beers that only serious collectors (yes, collectors) can get their hands on these days.

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

Beyond just tasting with some occasional interaction, Uppers & Downers goes deeper with “Case Studies” of beer and coffee pairs. On hand were brewers and roasters to talk about the details of their pairings. In the first session, local neighbors Whiner Beer Company and Four Letter Word Coffee presented a tasting with two beers and two coffees; four total coffee beers allowing participants to sample the variations in combination. The beers were Soupe du Jour (a red wine barrel-aged kettle sour saison) and Fur Coat (a Belgian dark ale); the coffees were a natural process Ethiopia Geisha Village/Geisha 1931 and a lactic-fermented Colombia La Palma y El Tucan SL-28 (Four Letter Word was also pulling shots of the latter in the first session).

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

In the second session, frequent pairing partners Solemn Oath Brewery and Intelligentsia brought six different beers of various styles utilizing various Intelli-roasted beans. The hosts even suggested an off-menu treat: pairing of a fresh, cooled shot of their Peru Rayos del Sol added to a pour of the Wee-Bey del Sol (a bourbon barrel-aged scotch ale brewed with the same coffee) provided an additional means of exploring the interplay of coffee and beer flavors.

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

But since variety is the spice of life, there was also the chance to taste a delicious Wake & Bake julep (made with Stumptown cold brew) courtesy of Dusek’s Chicago, winner of the Uppers & Downers prelude cocktail competition. A rye and Fernet-based cocktail, it managed to be refreshing and herbal without tasting medicinal (and look handsome with its cardamom-roasted macadamia nuts and mint garnish). Also on hand were some tasty roast pork bites courtesy of Chicago butcher Rob Levitt (of Butcher & Larder and baked treats from Bang Bang Pie.

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

And if all that weren’t enough, for the second year running, Sprudge and Good Beer Hunting partnered on an after-party of sorts—the next-day Hangover Party at the Good Beer Hunting studios in the Logan Square neighborhood of Chicago. Scratch biscuits and pecan pie from Bang Bang Pies, some bottled coffee beers to share, and of course aspirin, were on hand for the die-hards and true aficionados who wanted a peek into the GBH office while Michael Kiser and Stephen Morrissey recorded a podcast episode with guests from the prior day’s event (including Sprudge’s own Jordan Michelman).

uppers & downers good beer hunting sprudge event thalia hall chicago goose island stumptown coffee roasters intelligentsia metric off color brewing four letter word sump seattle cider company one trick pony fulcrum solemn oath dark matter half acre prairie artisan ale whiner beer firestone walker counter culture pt's coffee la marzocco home

Having anchored Uppers & Downers as a festival of all things coffee/beer/coffee beer in the Midwest, be on the lookout for this event’s growth and expansion. Especially Sprudge readers in London—you have something special coming your way soon.

D. Robert Wolcheck is a Sprudge contributor based in New York City. Read more D. Robert Wolcheck on Sprudge

Can’t get enough coffee beers? Check out our six favorite pours from Uppers & Downers 2017 in this list-o-riffic feature on Sprudge. 

The post True Stories From Uppers & Downers, The Festival Of Coffee Beers appeared first on Sprudge.


Denver Coffee Shops Reach Their Second Act

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crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

Denver Central Mall, home to the new Crema Coffee bodega

Over the past year, multiple Denver-based coffee companies have opened second locations in the city. Not every new shop in this feature represents some larger, substantive narrative about its owner or mission, but they all do, in some way, cleanly fit into both their brand and Denver’s greater coffee community. Here’s a breakdown of three noteworthy new spaces:

Corvus Coffee

crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

Phil Goodlaxson stands in front of the new Corvus Coffee

The aesthetics of the new Corvus location is similar to that of their existing cafe/roastery, only everything is a little more sleek and clean. Rather than giving customers a peak behind the production curtain like the original space does, the new cafe highlights a cold brew cocktail menu created with towering Kyoto drippers and owner Phil Goodlaxson’s eye for aesthetics and grandeur.

Already a titan of the cold brew industry, the Kyoto drippers allow Corvus to make smaller batches and tinker with multiples coffees at the same time, all of which results in refreshing, juicy cocktails.

crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

It’s worth noting the new location is equipped with a Synesso Hydra espresso machine and two Alpha Dominche Steampunk brewers, which give baristas full control over both making drinks and conversing with customers.

Tucked away in the booming Tech Center area, Denver’s southernmost roaster is primed to draw in everyone from folks living across the street, to those commuting from Aurora or Englewood in the mornings, to the curious few interested in seeing what Corvus has done with over two years’ worth of planning.

Corvus Coffee is located at 4925 South Newport Street. Visit their official website and follow them on Facebook, Twitter, and Instagram.

Downpours Coffee

crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

Family-owned, family-run, and proudly serving house-made pastries, breakfast burritos, juices, and chai—with so many different coffee shops throughout Denver, the new Downpours in Congress Park stands out because of the quality of its products and palpable approachability.

Nothing about this cafe is flashy—it’s equipped with a two-group La Marzocco Linea Classic espresso machine and a BUNN brewer behind the bar. The building, over 20 years old, has an ideal facade for sitting outside on a sunny day or stopping by while walking the dog.

The business and the space reflect the practicality that defines Downpours, and the reason they got into making their own pastries in the first place—why buy from someone else if it can be done better in-house?

crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

While serving up good coffee doesn’t stand out in a competitive scene, delicious homemade pastries do. Co-owner Michael Hammerquist has already partnered with multiple other shops to serve his croissants, and Downpours itself could be due for another expansion soon.

Downpours Coffee is located at 1200 Clayton Street. Visit their official website and follow them on Facebook and Instagram.

Crema Coffee

crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

Long before just about any other specialty coffee shop had been established in Denver, Crema Coffee was building its reputation out of a tiny space with a menu painted on the wall. Today, Crema’s second location is a coffee bodega inside the shimmery Denver Central Market, just a couple blocks away from the first.

In true Crema fashion, the bodega is a forward-thinking location, where a person can stop by for either a cappuccino or to pick up grocery staples like milk, eggs, and Stumptown Coffee Roasters cold brew. There’s also a butcher shop, bar, pizza shop, and ice cream parlor to peruse mere feet away. There are a couple of stools in front of Crema’s Synesso espresso machine, where customers people-watch while sipping.

crema coffee the denver central market corvus coffee downpours second locations denver colorado cafe sprudge

Owner Noah Price has said that the original Crema location will be the company’s only traditional cafe, but that he’s open to opening more bodegas. This approach challenges the notion that new cafe locations should “Yes And” whatever came before them.

Just as it was when Crema first opened nearly a decade ago, the bodega is serving up an interesting take on coffee in Denver. Second locations often mean bigger, brighter, conceptually more adventurous, and maybe boozier, but for Price it means less, it means smaller—it means bodega.

Crema Coffee is located at The Denver Central Market at 2669 Larimer Street. Visit their official website and follow them on Facebook and Twitter.

Ben Wiese is a freelance journalist based in Denver. Read more Ben Wiese on Sprudge.

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Show Me The Money: Direct Trade Volume 3

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“We need to make people on this end of the supply chain understand that Direct Trade should have tangible results, not just marketing results.” 
—Andrew Daday, former Director of Coffee, Stumptown Coffee Roasters.

Does the Direct Trade sales model produce the kind of tangible results Daday calls for? Does it put more money in the pockets of farmers and improve the quality of life in their communities? Looking for concrete answers to these elusive questions, Michaele Weissman follows the money trail in this final installment of her landmark three-part series on Direct Trade in 2017.

People sometimes ask me, “What’s changed in the last decade since you wrote God In A Cup?” In today’s competitive environment, coffee buyers pay attention to the bottom line or they disappear. Talking with these roasters about money, I quickly realize that “the sky is the limit” grandiosity of an earlier era is gone.

Colby Barr, co-founder of Verve Coffee Roasters, the always-growing Santa Cruz-based roastery founded in 2007 that now sells a million pounds of coffee a year, exemplifies the dollars and cents orientation of today’s specialty owners, particularly those who entered the business during and after the 2008 economic collapse. Barr and his partner Ryan O’Donovan prefer to buy coffee directly from farmers—that’s their business strategy—but they insist these sales make sense financially.

“Even when Ryan and I didn’t know what we were doing, we understood that we couldn’t do good in the world if we weren’t financially sound,” he tells me. “We opened our business with two checking accounts. One for our cafe. One for the roastery. And we would not sell coffee to ourselves at cost…”

When Barr buys expensive coffee, “I make sure we can sell it at a profit. It’s not good for our company, our staff, or the farmers to make decisions that show up in the red,” he says. His concern for the bottom line goes both ways.

“When I ask a farmer to pick only ripe cherry,” Barr adds. “I take into consideration that doing so will triple his labor costs.” And he pays accordingly.

A Peek Under the Sheets at Fixed-Price Contracts

When Barr and other roasters buy directly from farmers, they spell out details of their purchases in “fixed-price contracts” signed prior to harvest. For farmers, these agreements spelling out the price per pound are a ticket out of the C-market. All contracts, however, are not the same. Some elevate farmers into the coffee firmament, committing roasters to astronomical prices for coffees that later sell at retail for $30.00 and up per pound. Most contracts are far more modest, however, paying in the environs of 25 cents a pound above the C-market. “Farm to farm, country to country they vary significantly reflecting market conditions, labor costs, and other factors,” says Drew Pond of Milwaukee’s Stone Creek Coffee, which sold about 450,000 pounds of coffee last year.

Meredith Taylor, the sustainability manager at Counter Culture Coffee, which contracts for most its coffee, notes that, “Contracts enable both sides to plan ahead. Farmers have a certain degree of financial stability and we know where we are getting our coffee and what we are going to pay.”

There are risks, of course, for both sides. If a contracted coffee cups within specialty parameters, but is a disappointment, roasters eat the loss. If the coffee exceeds expectations, the roaster benefits and the grower loses out on a potential windfall.

Some in the specialty industry believe fixed-price contracts constitute the very heart of the Direct Trade system, but that is an overstatement. Plenty of un-contracted coffee is traded directly. The El Salvador grower Maria Botto—a big believer in Direct Trade—who was quoted extensively in the previous installment of this series told me, for example, that she doesn’t know anyone in the Alotepec Metapan region with signed contracts, although elsewhere in El Salvador contracts are common.

Counter Culture’s contracts delineate how lots are to be separated; the moisture level of coffee when delivered; and the company’s expectations regarding ongoing projects. Contracts generally cover the present year’s harvest, although Irving Farms’ Dan Streetman says that in the past he has contracted for coffee a full year before delivery because having a signed piece of paper made it easier for the farmer to arrange pre-financing.

When roasters and farmers negotiate and contract directly, growers get bigger pieces of the pie and they have a greater understanding of how the supply chain works and how much middlemen are earning.

Even so, farmers are vulnerable. “Growers take a massive hit when they have off-years (often due to circumstances out of their control) and their cupping scores fall even slightly below specialty grade to 79/80,” Drew Pond explains. “Instead of earning $2.50 or $3.00 a pound, they may have to settle for $1.50 on the commodities market.” This loss has all sorts of consequences beyond the obvious. “Facing shortfalls, farmers may not make improvements to their farms that would improve coffee quality in the long run,” Pond says.

Contracts between farmers and roasters do not replace the comprehensive contracts signed by importers and buyers spelling out details relating to expediting, storing, transporting, warehousing, and maintaining quality control.

Multi-Tiered Contracts and the Law of Unintended Consequences

During the past decade, the Direct Trade sales model has proved to be surprisingly functional and flexible. DT’s very nebulousness has enabled roasters to adapt it to meet their needs. Huge changes have taken place almost without notice as buyers have broadened their notions of what constitutes quality worthy of purchasing via Direct Trade.

Most notable is the expanding of what Intelligentsia’s Michael Sheridan calls the “quality pyramid.” Just as you don’t need an IQ of 165 to be considered smart, coffees no longer need cupping scores of 91 to be marketed as Direct Trade. Beans rated 84 to 87 also qualify. This expansion speaks to the array of quality levels roasters marketing micro-lots, single origins, and blends require. Agreements to buy multiple quality levels from a single farm are called multi-tiered contracts.

Sheridan believes contracts like these are game-changers for farmers and for the specialty industry. Growers, he points out, cannot improve their lives or the lives of their communities selling 50 or 100 pounds of super-elite coffee for $5.00 or even $10.00 a pound. They need to sell hundreds or even thousands of pounds of specialty coffee to make coffee-growing a worthwhile enterprise.

“When we [at Intelligentsia] contract directly with a farmer to buy a container of coffee, we write one contract for five different quality levels at five different price points,” Sheridan says. The idea, he adds, is to provide the company with a “quality pyramid,” as opposed to a quality mountain peak.

“Figuring out how to solidify the quality pyramid,” Sheridan comments, was the intent of the Borderlands Project that introduced Direct Trade into the relatively underdeveloped coffee-growing region of Nariño, Colombia. The idea was to find out what Direct Trade could accomplish when supported by all sectors of the economy, non-profit, for-profit, and governmental. A number of specialty roasters based in the United States, including Intelligentsia, Counter Culture, and Stumptown participated, offering advice and technical support to growers. (Today the menus of all three companies include Nariño-grown coffees offered at different price points.)

Working with stakeholders from every sector over the course of five years, convinced Sheridan, the former head of Catholic Relief Services agricultural programs, “That multi-tiered pricing is the single most important means of commercially developing the specialty coffee industry in Latin America while expanding the supply of beautiful coffees.”

In Sheridan’s view, multi-tiered contracts can accomplish what all other development schemes undertaken in the last 20 years have failed to do: increase the available supply of specialty beans while raising living standards for significant numbers—tens of thousands, perhaps hundreds of thousands—of coffee farmers in Latin America.

Transparency: FOB and Farmgate

Talking about fixed-price and multi-tiered contracts highlights the importance of transparency in the specialty supply chain.

No company has done as much to promote transparency as Counter Culture. The Durham-based roaster has gone public with a mind-boggling mass of information about how it buys coffee and how it interacts with its farmer partners. The company’s annual online, available-for-all-to-see Transparency Report is the Lady Godiva of transparency efforts revealing: the average weighted Free On Board (FOB) price Counter Culture pays for coffee shipped from origin; each coffee’s weighted cupping score; country and farm or coop of origin; the name under which the coffee is sold; the number of pounds imported; and the year it was first imported—many of Counter Culture’s Direct Trade relationships extend back to 2004.

“We figured we should let everyone see what our supply chain looks like so they will know how things work in good years and bad and they can decide for themselves about our buying practices,” says Tim Hill, Counter Culture’s quality director and chief buyer. The company, Hill says, no longer uses the term Direct Trade. “We think the metrics we have developed describe our buying practices much more accurately and reveal our sincerity,” Hill explains.

Another company with a strong commitment to trading transparently is the ten-year-old Copenhagen-based Coffee Collective, which last year sold some 130,000 pounds of directly traded coffee. Peter Dupont, one of the Collective’s four owners, patterned his company’s transparency effort on the pioneering work of Intelligentsia’s Geoff Watts. Beginning with a promise to always pay more than 25 percent above C-market, Coffee Collective includes a commitment to visit farmer/partners once a year. As to its outreach efforts, “We see ourselves as a facilitator, bringing the consumer closer to the farmer,” Dupont says. Which is why three years ago the company began printing the following information on each of its bags:

“The coffee’s FOB price per pound; a calculation determining the percent above market price the company paid; the number of years they have visited the producer and/or the number of years they have bought from the producer.”

The Coffee Collective tried for several years to rally other small Danish roasters in an effort to enforce binding industry-wide Direct Trade standards. That effort was short-circuited by the legal objections of a large consolidated specialty roaster owned by JAB, the holding company that owns Peets, Stumptown, and Intelligentsia. The objections have now been dropped.

As for transparency at the producer end of the supply chain, that work is in its infancy. Colby Barr of Verve grew up on a pear farm in Lake County, California owned by his parents. As a teenager, he worked as a picker and he has a special feel for farmers and farm workers.

“Farm ecosystems are the opposite of transparent,” he says. “When we pay a cooperative, we don’t know if the farmers we work with are getting the money they have earned…. On private farms, it’s the same story. There are some relationships I have with growers where labor costs are part of the discussion, but mostly the door is shut,” Barr says.

“The best we can do,” says Irving Farm’s Dan Streetman, another buyer concerned with wages and living conditions on coffee farms, “is ask a lot of questions, keep our eyes open, be skeptical, and try to keep the conversation going.” Streetman’s concern about these matters has led him and others in the industry to appreciate the once-maligned work of Fair Trade International.

Shortly after returning from this year’s SCA convention, Counter Culture’s Meredith Taylor told me that she had heard, “A lot of talk in Seattle about the ‘Farmgate’ price of coffee… This seems to be the next big issue,” she said, adding that roasters can pat themselves on the back for paying well above C-market,” but if farmers can’t (or won’t) pay pickers enough to keep them from moving elsewhere in search of better-paid work (Costa Rica, for example). “In twenty years, roasters may find themselves unable to source the high-quality coffee they need.”

Perturbations, Innovations, and Last Thoughts

Given the rapid growth in specialty coffee, roasters should follow Taylor’s advice and start worrying about demand outstripping supply. The Specialty Coffee Association estimates that there are between 4,500 and 5,500 independent coffee roasters in the US today. “This statistic,” says SCA Executive Director Ric Rhinehart, “probably is an understatement,” adding that the organization will have more accurate figures later this year. It is not clear how many of these roasters are or claim to be sourcing their coffee directly.

The most dramatic change roiling the specialty industry is consolidation. In recent years, half a dozen of the most prestigious coffee roasters in the US have ceased to operate as independently-owned entities, or they have taken on significant venture capital or private equity investment. In 2015, the European-based holding company JAB bought Keurig Green Mountain, which manufactures coffeemakers and the wildly popular Keurig pods for an astonishing $14 billion. Following that purchase, JAB acquired Peet’s Coffee for $974 million, which in turn used its newly-deep pockets to acquire Intelligentsia and Stumptown for undisclosed amounts. All JAB coffee entities continue to operate independently.

What consolidation means for the specialty industry and for Direct Trade is not entirely clear. Tim Chapdelaine, Managing Director in the Americas for Trabocca, the Dutch coffee trading company, points out that JAB’s US coffee holdings, “Taken as a whole, are the equivalent of Proctor and Gamble’s…with potentially massive power in distribution.” Chapdelaine predicts that JAB, known for playing a long game, will someday dominate the emerging high-end supermarket coffee sector with a segmented menu of high-end coffees.

The possibility of JAB beating out the competition in supermarket aisles is not what worries Chapdelaine. His concern, one that SCA’s Rhinehart also expresses, has to do with JAB’s “net 180” policy. Translated into English, “net 180” means that when the importer sends the roaster a bill for just-delivered container(s) of coffee, the JAB-owned roaster does not pay for six months. Farmers, needless to say, can’t wait that long for their money. That means importers are left holding the bag. Unless they have vast reserves of cash, they must borrow to pay their farmers. The cost of this debt will inevitably be passed up the supply chain to the farmer or down the supply chain to the roaster or both. None of these eventualities add anything to the value chain. JAB, meantime, has six months to make money on its money.

No one knows how “net 180” will play out in the long term, but it’s hard to believe it will not further tip the playing field to the advantage of the largest buyers. One thing is certain: large importers with deep pockets and lots of borrowing power are at an advantage. This could lead to consolidation among importers—to some extent that is already happening. It is possible that the debts accrued and the additional interest paid will be offset by increased profits that come with higher sales.

Meanwhile, the specialty industry itself and the Direct Trade sales model continue to evolve financially, technologically, and otherwise. On the technology side, Counter Culture’s Tim Hill is using software to decrease the moisture content of coffee beans in transit, thereby extending their shelf life. Hill has also used technology to increase his ability to identify and discard defective beans (quakers) before they contaminate entire roast runs. These advances increase the value and extend the usability of every pound of coffee Counter Culture buys from its farmers/partners.

Technology is also helping to open up new markets. Maria Botto, the President of El Salvador’s Alianza de Mujeres en Café reports that she and other women growers in El Salvador were inspired by the Direct Trade ethos to reach out to potential buyers in Japan, Europe, and the US. To support this effort they constructed an online interactive platform making it easier for buyers to request information and samples. The success of this effort led to a thrilling viral moment: One after another, groups of women coffee growers in Africa approached Botto’s organization asking for help setting up their own online platforms for selling their coffee directly to roasters. “And now,” says Botto, “we are helping women farmers in nine African countries improve their coffee and their sales methods.”

Advances like this change lives. During his years working for Catholic Relief Services, Intelligentsia’s Michael Sheridan introduced the idea of focusing on quality to a group of struggling coffee smallholders in a civil war-torn area of El Salvador. When the growers finally made their first direct sale to a specialty roaster, Sheridan asked them how they hoped their lives would improve. “What do you want?”’ he asked them. The answer blew him away. “We want our nombres, our Spanish names, our first and last names. We don’t want to be anonymous anymore. We want to sell single-origin coffees and be recognized as human beings.”

“When I heard that, something clicked,” says Sheridan. “Because of Direct Trade, these growers were never going back.”

Back to the Beginning

So now comes the end of the story and a lady’s got to choose. So what is it? Is Direct Trade a collection of heart-warming anecdotes or is it a structured solution capable of solving specialty’s most serious problems?

Certainly, as Heart Coffee’s Wille Yli-Luoma said at the beginning of this exploration, there is a great deal of mist surrounding Direct Trade. That’s a given. Still, I am putting my money on the kind of informed optimism Intelligentsia’s Sheridan expresses when he talks about DT as a “game changer,” and “the best hope” for specialty industry producers and roasters alike.

There are no guarantees that Direct Trade will live up to its promise, but neither in my view is there much choice. Unless farmers’ lives improve—and again, buyers and sellers seem to agree that trading directly is the best hope for that—millions of coffee smallholders around the world, the ones high up on the mountain producing quality, will abandon their farms, accelerating a dire trend. At some point, specialty as we know it—an industry selling an affordable luxury to tens of millions of reasonably affluent people every day—will cease to exist. What will remain is a Rolls Royce industry selling astronomically priced coffees from a handful of farms, (many of them in Panama). Beyond that, there will be industrial grade beans traded on the C-grade market. Armageddon for coffee lovers outside the one percent.

I do not believe market forces will allow this to happen. I suspect specialty will prevail as a product available to an upper-middle demographic while the DT sales model evolves to meet changing market conditions. Some of these changes are already taking place and they are concerning. As the top roasting companies increase in size and power, they may continue to buy coffee direct from farmers, but can it be said that these negotiations take place between equal partners? In other words, can the ethical ideas embedded in the Direct Trade sales model survive the consolidation of the industry?

The answer, I believe, depends on how groups of farmers interested in and able to devote themselves to growing and selling quality coffee respond to consolidation. Maria Botto in El Salvador and Felipe Croce in Brazil both described successful efforts to form vertically integrated farmers’ associations that own their own mills, possess their own export licenses, and are able to have the heft to effectively represent their own interests. Will this form of independent grower consolidation develop into a full-blown trend?

One can only hope.

In a world of empowered coffee farmers/artisans, the beautiful cup of coffee I drink each morning, like the glass of wine I enjoy at dinner, would come to me from a producer who knows his or her own worth, whose children are proud and see in coffee a future for themselves and the generations to come. In this way, Direct Trade, different though it may be from the expectations of its founders, would have lived up to its most fundamental promise. We are only at the beginning.

Michaele Weissman is a special correspondent to Sprudge Media Network. Weissman is the author of God In A Cup: The Obsessive Quest for the Perfect Coffee, published in 2008 by Houghton Mifflin Harcourt, and a freelance journalist writing for The New York Times, The Washington Post, The Wall Street Journal, and many more. Read more Michaele Weissman on Sprudge.

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Coffee Loves Beer: Breakside Brewery’s New Guji Gose

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We’re counting down the days until Coffee 💕 Beer, a new coffee beer festival from Sprudge and Stumptown Coffee Roasters happening Saturday, September 16th in Portland, Oregon. In the lead up to the shindig we’ll be profiling a couple of the exciting coffee beer collabs happening around town for the fest, starting with Portland’s own Breakside Brewery.

Breakside Brewery’s Brewmaster Ben Edmunds has a long-standing reputation for beery experimentation, releasing 120+ beers a year across Breakside’s three breweries in metro and suburban Portland. The beers range kaleidoscopically across a vast constellation of standard and special edition bottlings, from complex wood-aged sour and wild limited releases, to the local day drinking favorite Lunchtime ISA, to a Passionfruit Sour that won gold at the 2017 Best of Craft Beer Awards to a tiny, truly exceptional program of farmhouse saisons and rye wine aged in brandy barrels.

Ben Edmunds of Breakside Brewery.

Along the way, they’ve become a local favorite and beer list standard across the Portland restaurant scene, with no better place to quaff the stuff than their brand new Slabtown neighborhood brewery and tap house, outfitted with two 10bbl fermenters, three 20bbl fermenters, outdoor seating, and a robust food menu.

Here’s a bold statement: Breakside is for sure one of the best breweries in Oregon, and possibly the very best. We’ve rolled these beers up snug in t-shirts and packed them tightly in trunks to bring along and share with friends around the coffee world over the last few years, much to the delight of assorted dinner companions. And so I was thrilled to tag along to a blending session with Edmunds and Breakside Director of Brewing Operations Jacob Leonard, who worked alongside Stumptown Director of Cold Brew Brent Wolczynski to develop the beer we’ll be featuring at Coffee Loves Beer.

Jacob Leonard (left) and Ben Edmunds at Breakside HQ.

Brent Wolczynski of Stumptown Coffee Roasters.

From there I followed up that session with an interview with Edmunds and Leonard, who answered my questions collaboratively, to learn more about their approach to brewing and what we can expect from their newest coffee beer, available September 16th at Coffee Loves Beer. 

What’s your approach to beer? 

Fundamentally, we’re generalists at Breakside and adopt a “big tent” approach to brewing. What I mean is that we don’t specialize in just one style or brewing tradition—farmhouse ales, German lagers, or wood-aged sours, for example. In any given year, we’ll release over 120 different beers from across our three breweries. Constant tinkering and experimentation are in the water at Breakside, but there are some aspects of brewing that I think we focus on across all of our brands: drinkability, focus of ingredients, and composition/balance are hallmarks of all of our best beers, I hope.

Tell us about the base beer you used for this project? 

We’ve brewed a pretty classic German-style gose for this project. Gose, as its been interpreted in the US, is definitely more sour than what you’d find in Germany, and this beer definitely follows that path as well. That said, it’s not screamingly sour—more like a gose/Berliner Weisse hybrid. We use a touch of sea salt and coriander, which are traditional for the style as well. I think gose is a great platform for “additional flavors,” since there is just a lot to latch onto and play off of while still maintaining the integrity of the base beer beneath. You’ve got sour, salty, wheaten.

How have you chosen to work the Cold Brew into that beer?

We make a number of different coffee beers each year and we’ve tried numerous different methods of adding coffee to beer. At this point, our preferred method is to get high-quality, concentrated cold brew and blend it into the finished beer when it transfers to the conditioning tank.

What’s the end result like? Does it have a name?

Light, fruity Ethiopian coffee plus medium acidity and hints of coriander and salinity from the beer. It’s unconventional, but all of the flavors are complementary. This is definitely one of the more “high-concept” beers we’ve done in a while, and I’m sure there will be some folks who hear the words “coffee gose” and think that it’s going to be a novelty beer or a mess. I’m pretty confident it will be better than that. We’re going for “incredibly pleasant surprise.”

The working name is “Guji, Guji, Louis, Louis, Fendi, Fendi, Prada,” but that may change by the time the fest happens. We often end up changing beer names at the last minute, which the warehouse and fulfillment staff just love.

Do you have an all-time favorite coffee beer?

I don’t know that I have an all-time favorite. System of a Stout from Beachwood Brewing (from Los Angeles/Long Beach) is a great beer that uses Turkish coffee as an influence. Koffee Kream Stout from Comrade Brewing (Denver) is also excellent. Amongst Breakside beers, I’m partial to our Vienna Coffee Beer, which uses Stumptown’s Ethiopian Nano Challa. We release that beer on draft every year, and I think it’s a beautiful balance of rich malt and bright coffee. It tastes like maple syrup and waffle cone.

What’s one thing that most people don’t know about craft beer, that you wish was better understood? 

If consumers knew more about how warm storage can wreck most beers, and if consumers refused to buy warm-stored beer, I think that would be a major victory for beer quality.


Thank you.

Drink this and a dozen more new craft coffee beers at Coffee 💕 Beer, a new coffee beer festival from Sprudge and Stumptown Coffee Roasters. Tickets available via EventBrite, with a portion of proceeds going to the Houston Food Bank

Jordan Michelman is a co-founder and editor at Sprudge Media Network. Photos by the author. 

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Night Of 1000 Pours: Join Us To Raise Funds On September 29th

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September 29th, 2017 is National Coffee Day, and the 8th anniversary of the launch of Sprudge. To celebrate we’re calling on our readers around the worldwide to join us in a new charitable initiative: The Night of 1000 Pours.

How is this night different from any other night? On September 29th we’re asking our colleagues, readers, and allies to take part in a global fundraising event. We want you to plan a throwdown, a brewing competition, a signature drink exhibition, or any other sort of beverage fundraising event, and donate the proceeds as part of this grassroots effort. You might also choose to donate a portion of proceeds from sales in your cafes, or make a corporate charitable donation. We’ll organize a new Night of 1000 Pours event every six months, and feature new charities each time.

Click here to register and host an event for Night of 1000 Pours.

For the inaugural Night of 1000 Pours event, we’re suggesting two really important charities—Houston Food Bank and the Transgender Legal Defense & Education Fund—but we aren’t here to dictate how you donate your money. Our goal is to activate the coffee community (and our colleagues in wine, beer, and cocktails) as a node for charitable fundraising and a force for philanthropy. You can raise funds for a local or national charity of your choice, based on what speaks to you and your community. Groups like Charity Navigator offer many worthwhile charities to choose from. We just want you to join us in throwing an event that gives back.

How do you get involved? Cruise over to Nightof1000Pours.com and get all the information, including an easy five-step process to set up an event, a FAQ, and an updating list of participating companies. We hope to feature you or an event in your area on that list.

We’re thrilled to kick off this initiative with a group of launch partners across the United States, including founding partnerships with the Greenway Coffee family of brands benefitting the Houston Food Bank and Everyman Espresso benefitting the Transgender Legal Defense & Education Fund.

Our launch partners include:

Greenway Coffee, Houston, Texas

Everyman Espresso, New York City

Wormhole Coffee, Chicago

All Day, Miami, FL

Joe Coffee, New York City

Counter Culture Coffee, Durham (nationwide)

La Marzocco USA, Seattle (nationwide)

Intelligentsia Coffee, Chicago (nationwide)

Stumptown Coffee Roasters, Portland (nationwide)

Blue Bottle Coffee, Oakland (worldwide)

Either / Or, Portland, OR

Batdorf & Bronson, Atlanta and Olympia

Fleet Coffee, Austin, TX

Cuties Coffee Bar, Los Angeles

Toby’s Estate, Brooklyn

Department of Brewology, Austin

Portland Coffee Social Club, Portland, OR

Onyx Coffee Lab, Fayetteville, AR

Want to get involved? Click here! 

Calling all creatives! You can throw your support behind Night of 1000 Pours by volunteering to create original poster art for an event in your city. Check out our poster info—we’re looking forward to featuring these posters in an upcoming feature series on Sprudge.

That URL again is Nightof1000Pours.com and we’d sure love to hear from you. Thank you, and thanks for 8 years of reading Sprudge!

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Coffee Loves Beer: Gigantic Brewing’s New “SOLID Guji!“

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We’re just a few short days from September 16th and the launch of Coffee 💕 Beer, a new coffee beer festival from Sprudge and Stumptown Coffee Roasters. Tickets are on sale now, with a portion of proceeds benefitting the Houston Food Bank. Breweries across Oregon are collaborating with Stumptown on a series of one-of-a-kind coffee beers; we profiled a frankly delicious new Guji Gose from Breakside Brewery earlier in this series.

Today we’re checking out another one of the featured beers, this time from Portland’s Gigantic Brewing Company. Gigantic is a true Portland indie beer story, keeping things small and craft at their SE Portland brewery and tap house, brewing up what they call “the best damn IPA in Portland” along with a slate of seasonal and one-off rare beers.

To learn more we chatted with Ben Love (pictured above), Gigantic’s Brewmaster and a Portland beer veteran, with time spent at iconic Portland beer destinations the Horse Brass and Belmont Station, plus brewery stints with Hopworks Urban Brewery and Pelican. This convo followed a delicious and mildly intoxicating blending session between Love and Brent Wolczynski, Stumptown Coffee’s Director of Cold Brew. The resulting beer, dubbed “SOLID Guji!” will debut September 16th at Coffee Loves Beer.

What’s your approach to beer?

I brew what I like to drink, and really like to try new beers and work to continually expand the types of beers we make, explore new flavors and techniques. I always strive for balance in our beers and don’t want any one thing to dominate. Also, I want the drinker to enjoy a snifter, glass, or pint (whatever the serving size is) and want more—because they enjoy the beer, but also because it’s balanced.

At Gigantic we’re always working to get better at what we do day to day. There are always small ways to improve and new ideas to test.

Tell us about the base beer you used for this coffee beer?

SOLID! is our hoppy American wheat beer we made for summer. SOLID! has a bright, fresh citrus hop aroma and flavor, with a distinct orange peel bitterness in the finish. It’s hopped with Citra, Simcoe, and Cascade.

How have you chosen to work the Cold Brew into that beer?

We selected Guji because of the fruity and subtle citrus notes it has. Brent at Stumptown cold brewed the Guji and we are going to add it to the finished beer. We settled on 6% cold brew by volume after trialing it in a few different ratios. It’s a level where the coffee and the hoppiness of the beer meld perfectly together, neither aspect dominating.

Ben Love with Brent Wolczynski.

What’s the end result like? Does it have a name?

It’s a well-balanced blend of the Guji coffee and the citrusy hoppiness from the beer. It delicious and is definitely a drinker, meaning you could enjoy a couple pints. We call it SOLID Guji!

Do you have an all-time favorite coffee beer?

We made a coffee beer a few years ago called Too Much Coffee Man. It was an imperial black saison and we added cold brewed Kilenso coffee from Coava. What I thought was cool about that beer is that the roasty “coffee” notes came from the beer, specifically the malts that we used, while a lot of the delicate fruitiness came from the cold brewed coffee. It definitely wasn’t your standard stout with roasty coffee layered on top. Kilenso is a naturally processed Ethiopian coffee that has amazing fruit notes. We’re actually making Too Much Coffee Man again this year, and will release it this fall.

What’s one thing that most people don’t know about craft beer, that you wish was better understood?

I really feel that largely people understand what craft beer is in most parts of the country now, and especially here in Portland.

Fair enough! Thank you Ben. 

Drink this and a dozen more new craft coffee beers at Coffee 💕 Beer, a new coffee beer festival from Sprudge and Stumptown Coffee Roasters. Tickets available via EventBrite, with a portion of proceeds going to the Houston Food Bank

Jordan Michelman is a co-founder and editor at Sprudge Media Network. Photos by the author. 

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Announcing The 2017 Sprudgie Awards Finalists

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From tens of thousands of votes cast all across the world, nominations poured in for the 2017 Sprudgie Awards, honoring the very best in specialty coffee. These votes have now been calculated, and we revealed the noms on Friday the 8th of December via the Coffee Sprudgecast. Here they are in all their glory, awaiting your deciding vote across 12 categories in the Ninth Annual Sprudgie Awards.

Each group of finalists takes into account the popular vote from our public nominations process. Visit Sprudge.com/vote to vote for your favorite finalist across each category. Voting closes at 11:59 PM Pacific Standard Time on Sunday, December 31st.

Here they are, your 2017 Sprudgie Awards Finalists.

Notable Roaster

Each year our readers nominate outstanding coffee roasters around the world for the Notable Roaster Sprudgie Award. Unlike many of the other categories, Notable Roaster nominees need not be brands or products that debuted in 2016; rather, we look to this award as a way for our readers to honor coffee roasting companies, big and small, that turned in an especially notable year of work. This year’s nominees are: Take Flight Coffee (Los Angeles) Onyx Coffee Lab (Fayetteville, AR) Assembly Coffee (London) Colonna Coffee (Bath, UK) Maquina Coffee Roasters (West Chester, PA) Talor & Jørgen (Oslo)

Best New Cafe

Cafes are the beating heart of coffee culture, and each year we are delighted to see the cafe form grow and morph in new and exciting ways. Our readers have selected a stunning array of new cafes from around the world for this year’s Sprudgie Awards, each of which opened during the past calendar year of 2017. And the nominees are: Narrative Coffee (Everett, WA) Cherry Street Public House (Seattle, WA) Love Supreme Portobello (Dublin) Nemesis Coffee (Vancouver, BC) Center Coffee (Seoul) Catalyst Coffee (Auckland, NZ)

Best New Product

New products drive innovation in the coffee world, for both consumers and professionals alike. This year’s range of new products include gear for coffee professionals, equipment for making coffee in the cafe or at home, and a delightful visual representation of where coffee comes from. The nominees for Best New Product in 2016 are: December DripperKruve SifterBRO Coffee MakerStagg EKG by Fellow ProductsBarista Hustle Tamper, and World Specialty Coffee Map by Cafe Imports.

Best Coffee Video/Film

Coffee is a multimedia platform, inspiring expression across a variety of mediums. Each year we honor an excellent coffee video or film as part of our Sprudgie Awards tradition. This year there was no major full-length coffee film released, and so instead our readers voted in a variety of video efforts, including short form comedy, editorial, product tutorial, and several personality driven YouTube channels. And the nominees are: “The Young And The Spoonless” by Cafe Imports, “I Yelp By The Way” by Dapper & Wise Coffee Roasters, “The Race to Save Coffee” by the Washington Post, RealChrisBaca on Youtube, Clive Coffee on Youtube, and James Hoffmann on Youtube.

Best Coffee Writing

Coffee and writing go hand in hand. This year’s crop of nominees includes several full-length books, wide-ranging editorial work from a digital platform, and writing from some of the top freelancers working in coffee today. And the nominees are: “What I Know About Running Coffee Shops” by Colin Harmon, “New York City Coffee: A Caffeinated History” by Erin Meister, Ashley Rodriguez for Barista Magazine OnlineJenn Chen (collected works), RJ Joseph (collected works), and Kelly Stein (collected works).

Notable Coffee Producer

Without coffee producers, there would be no coffee, making this arguably the most important star award in the Sprudgies constellation. This year’s list of nominees includes individual growers—including a two-time past winner—as well as a collective group whose coffees have garnered recent headlines around the world. The nominees are: Jose Gallardo for Finca Nuguo (Panama), Marta Dalton for Coffee Bird (Guatemala), Aida Batlle for Aida Batlle Selection (El Salvador), The Producers of Port of Mokha (Yemen), La Palma y El Tucan (Colombia), and Ernesto Menendez for Fincas Las Brumas, Alaska, La Ilusion and Los Andes (El Salvador).

Best Coffee Magazine

Old trade favorites, hot young glossies, and our first-ever magazine published in Portuguese—this year’s Best Coffee Magazine vote is going to come down the wire. The nominees are: Standart MagazineDriftRoast MagazineBarista MagazineCaffeine Magazine, and Revista Espresso.

Best Design Packaging

In just its second year, our award for Best Design Packaging continues to sport a competitive field, fusing the worlds of coffee and design together with equal dexterity. Any one of these designs could win—and they all happen to be from brands putting out delicious coffee. That’s a win-win. The nominees are: Stumptown Coffee RoastersMethodical CoffeeBrandywine Coffee RoastersTalor & JørgenThou Mayest, and Little Wolf.

Best Coffee Subscription

From an instant coffee game changer to carefully curated box sets from Europe, to roaster / brand collabs highlighting a single company each month, this year’s field of Best Coffee Subscriptions are as different as they are delicious. The nominees are: Department of Brewology “Sequence”, Barista Hustle “Superlatives“, Sudden CoffeeCompelling CoffeeAngel’s Cup, and The Coffeevine.

Best Coffee Podcast

Podcasts continue their march towards cultural primacy, and this year’s list of Sprudgies noms includes new voices, industry trendsetters, and thought-provoking boundary pushers. The nominees are: The Coffee Podcast (Jesse Hartman), Cat & Cloud (Jared Truby and Chris Baca), Boss Barista (Jasper Wilde and Ashley Rodriguez), Keys to the Shop (Chris Deferio), Tamper Tantrum (Stephen Leighton and Colin Harmon, producer Jenn Rugolo), and Racist Sandwich E26 “Coffee Level Over 9000” featuring Nick Cho (Soleil Ho and Zahir Janmohamed, producers Juan Diego Ramirez and Alan Montecillo).

Best Coffee Instagram or Twitter Account

A new category this season, in which our readers are honoring the social media presences that made us laugh, made us think, and made us glad to be alive. Whether posting the 🤔 emoji or leaving us *dead*, these are the best coffee social media accounts of 2017. The nominees are: Coldbrew420 [Twitter / Instagram] Letsbrew.coffee [Instagram] Matt Perger [Twitter / Instagram] 3000 Thieves [Instagram] Jenn Chen [Twitter / Instagram] Michelle Johnson [Twitter / Instagram]

Outstanding Achievement in the Field of Excellence

The most important Sprudgie Award is the hardest to define—this award is given to groups or individuals our readers seek to honor for their contribution to the wider coffee culture. Past awards have gone to remarkable coffee producers, game-changing green buyers, important new voices, and even an entire nation’s coffee growers. This year we’re overjoyed at the nominees you’ve selected for our Outstanding Achievement in The Field of Excellence, which include business leaders, top global competitors, resilient cafe owners, and an individual whose work has helped redefine coffee from his homeland. Your nominees are: Miki Suzuki for 2017 World Barista Championship Finals  Mokhtar Alkhanshali for Port of Mokha Department of Brewology for “Filter Coffee Not People” Pamela Chng for Bettr Barista Academy (Singapore) Abner Roldan & Karla Ly Quiñones García for Café Comunión (Puerto Rico) Cole & Aisha Pew for Dovecote Coffee (Baltimore)

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Sprudgie Awards Spotlight: The 2017 Nominees For Best New Cafe

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Earlier this week we unveiled the nominees for the Ninth Annual Sprudgie Awards. Voting is now open across a dozen categories, honoring the very best in coffee. Voting ends December 31st, 2017 at 11:59 PM.

In this feature we’re spotlighting the 2017 nominees for Best New Cafe, one of the most coveted of all the Sprudgie Awards. Past winners for Best New Cafe include the La Marzocco Cafe in Seattle (2016), Paramount Coffee Project in Los Angeles (2015), Scandinavian Embassy in Amsterdam (2014), Intelligentsia Logan Square (2013), Pergamino Cafe in Medellin (2012), and Milstead & Co. in Seattle (2011). Prior to 2011 the award was given as simply “Best Cafe,” without an opening date requirement, and was awarded to Tina We Salute You in London (2010) and Four Barrel Coffee in San Francisco (2009).

Let’s meet his year’s nominees! They hail from markets big and small all around the world, including our first-ever nominees from Korea, New Zealand, and Ireland.

Vote now for your favorite nominee for Best New Cafe!

Catalyst Coffee—Auckland, New Zealand—Proprietors: Hanna Terramoto and Xin Yi Loke

“Hanna Teramoto and Xin Yi Loke are two enormously accomplished baristas. Both won national barista championships back in 2014—Teramoto representing New Zealand, Xin Yi Loke representing Singapore. They first met in Remini, Italy at the World Barista Championship, when as fate and luck would have it, their backstage preparation tables were right next to each other. From there the destined friendship began, with the duo helping each other polish equipment, taste-test coffees, and bonding over their shared experience at the WBC.

But when the competition came to an end, the friendship didn’t. Xi Yin Loke visited Teramoto in New Zealand in 2015, and the idea to go into business together began to take shape. It was a huge change for the Singaporean champion, to think of leaving the dense city and hot weather of her teeming metropolis for the comparatively mild, sprawling South Seas vibe of Auckland. The name, Catalyst Coffee, was born out of this moment—it means “beginning of changes”, describes the challenges of leaving your home, starting a new business, and developing what the duo hopes is a fresh take on the cafe experience.”

Read the full feature from Diane Wang on Sprudge Media Network, published February 22nd, 2017.

Cherry Street Public House—Seattle, Washington—Proprietors: Laila Ghambari and Ali Ghambari

“Two decades after Ali Ghambari opened his first coffee shop, he and his daughter are opening this all-day cafe and restaurant, serving high-quality coffee, and Persian-inspired breakfast, lunch, and, soon, dinner from the center of Seattle’s Pioneer Square. The cafe anchors the new Weyerhaeuser building and fronts onto Occidental Park.

“It’s my vision, made possible by my father,” says Laila Ghambari, of how Cherry Street Public House evolved. The space came to them through Ali Ghambari’s partner in Cherry Street Coffee House, Greg Smith, who developed the building. Laila Ghambari, a 2014 US Barista Champion who previously had worked for Stumptown Coffee Roasters and Caffe Ladro, took over as director of coffee for Cherry Street Coffee House and upgraded their coffee program in 2014. When this space showed up as an opportunity, Cherry Street already had coffee shops two blocks away in two directions: she knew this was their chance to fulfill a dream by doing something new.”

Read the full feature from Naomi Tomky on Sprudge Media Network, published March 2nd 2017.

Grind with a view. 🌳🍂🍃

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Center Coffee—Seoul, Korea—Proprietor: Sang-Ho Park

What are some of the things you’ve learned, overheard, picked up, or will always remember along your coffee career?

“To be humble, open-minded, honest and not try answering all questions, but rather, to try and question all answers. The quote I go by every day is by Grace Murphy Hopper: “The most damaging phrase is it’s always been done that way.” So I try to question the things I believe I know, and see if there are better ways we can address the answer, and try to find a better way than what we have now.”

From An Interview With Sang Ho Park by Zachary Carlsen for Sprudge Media Network.

Nemesis Coffee—Vancouver, British Columbia—Proprietors: Jess Reno, James Salmon, Michele Zuber, Cole Trepanier, Albert Tang, Josh Shevlin, and Jacob Deacon-Evans

One of Vancouver’s newest multiroasters, Nemesis focuses on bringing in some of the best coffee the world has to offer, such as Five Elephant, Talor & Jørgen, Pilot Coffee Roasters, Colonna, and April. By creating strategic partnerships with international roasters, Nemesis is figuring out new ways to make its coffee better every day. This simple quest is already leading the staff down exciting avenues, such as sharing water samples between the roastery and shop floor, all in an effort to innovate and provide the very best cup possible to their customers.

What began as a few friends kicking around a concept has led to a unique group coming from both competitive and international backgrounds. This diversity of experience creates a wonderful atmosphere of shared ideas and ensures that the highest quality product is being delivered. Nemesis has gone a step further in their learning by training all staff on both the food and coffee programs, regardless of title. This creates transparency between the pillars of their shop and it is evident in the way the staff speaks about every item on the menu.

Read the full feature from Peter de Vooght on Sprudge Media Network, published November 1st 2017.

Lovely in Dublin today 🍁

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Love Supreme Portobello—Dublin, Ireland—Proprietors: Ken Flood and Katie Flood

“A landmark on the streetscape of Stoneybatter, Love Supreme made the hearts of coffee lovers in Dublin skip a beat when they announced they would open a second spot in the city.

Now open over three months, from their new Portobello location on Lennox Street, the coffee shop quickens the pulse of the beating heart of Dublin 8’s growing cafe culture.

Washed in natural light, the petite cafe is styled in the signature Love Supreme look. Here too, interchangeable lights and hanging flowers break up the rustic, simple design, replicating the feel of the original cafe.”

Feature via The Taste.

Narrative Coffee—Everett, Washington—Proprietors: Maxwell Mooney and Richard Orr

It’s been less than a year since we first profiled Narrative Coffee, the coffee brand from US National Barista competitor and accomplished coffee professional Maxwell Mooney. Last August the project wasn’t much more than a humble little coffee cart in Everett’s Westmore Plaza. But after a lightning quick confluence of circumstances—the right partner, the right building, a build-out process done away from big city glare—Narrative Coffee has come of age in the guise of a brand new, stunningly built 1800 square foot cafe in the heart of downtown Everett.

“So many people are thirsty here for good coffee,” Mooney tells Sprudge, pun surely intended. “They drive to Seattle or Mill Creek in order to get it. This cafe is for them—this city has an incredible music scene, an art gallery scene, and I want to serve those folks, to be an incubator for them, and in a small way help the community here in Everett grow and develop.”

Read the full feature from Jordan Michelman on Sprudge Media Network, published June 10th, 2017.

GO VOTE!

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Art In The Cafe: A Conversation With May Barruel Of Stumptown Coffee

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I believe in the power of cafe walls.

Growing up in Tacoma, Washington, my first exposure to visual art and coffee went hand in hand, at long-departed coffee bars like The Usual and Temple of the Bean, whose interior doubled as a rotating gallery space for local artists. There’s something so obvious and intuitive about it, the non-discursive linearity of sipping a mug of something warm and looking at a canvas of something cool. It felt so natural to teenage me: “I’m at a cafe, the coolest place I can possibly imagine, and there is art, of course, because that is also cool.

20 years (give or take) and a great many cafe hours later, I feel exactly the same way. Coffee bars can remain as glorious repositories of art and culture; I would argue that, in fact, that coffee bars should exhibit art, if they are so able, as a kind of public expression of the greater good, supporting emerging artists along the way. You might not be a professional art critic, or an art collector, but you can go to a cafe that features rotating artists, and that means something.

Here in Portland, where Sprudge is published, we’ve long cherished the ever-changing collections exhibited at places like The Red E Cafe (1006 N Killingsworth St) and The Red Fox (5128 N Albina Ave), and at May Barruel’s extraordinary Nationale (3360 SE Division St), an art gallery, book and magazine shop in the heart of busy SE Division Street. Nationale carries my favorite magazine, and is kaleidoscopic in the range of artists and voices it exhibits, from sculpture to oil painting to photography. Openings and talks are always free to attend, and those looking to purchase work can do so on a payment plan. Nationale’s manifesto on the meaning of art collection is a must-read, and in it, Barruel writes:

…[it is] important to consider the broader positive effects of collecting art. When you purchase a painting, sculpture, photograph, and so forth, you are supporting ideas and creativity, not just of the individual maker but of a larger circle. Every purchase ricochets, especially in a small community such as Portland, and affects more than just the one artist—it creates a culture of collecting in which art and ideas are valued in a very tangible way.

In late 2017, Stumptown Coffee Roasters hired on May Barruel to curate its newly launched Stumptown Artist Fellowship program, continuing her long-running work with the company (she started there as a barista in 2005). Artists selected for the program receive a $2,000 grant from Stumptown, and have their works exhibited at the newly remodeled Stumptown coffee bar in downtown Portland (128 SW 3rd Ave). The first exhibition launched in December, featuring the works of Wendy Red Star, a Portland-based multimedia artist whose work confronts and subverts popular conceptions of Native American cultural representation. It’s a stunning exhibit, and sets a new standard for the cafe as public art space—photos of the exhibit appear throughout this feature.

Wendy Red Star’s show closes this week, making way for the work of artist Jennifer Brommer, a Portland and Brooklyn based portrait and fashion photographer whose photo installation Memphis explores race and class in the American south. In advance of this launch, and with commentary on the last days of the exhibition from Wendy Red Star, I spoke with May Barruel about her role curating the Artist Fellowship at Stumptown, art’s place in the cafe, and why Wendy Red Star’s work feels so vital right now.

This interview has been edited and condensed for clarity. 

Hello May Barruel, and thank you for speaking with me. Give our readers  a little bit of background on how you came to have your current role with Stumptown.

I started working for Stumptown in the spring of 2005, first as a barista and then as the manager for the Annex.

In 2007, when the art curator position became available I applied for it and was offered the Downtown cafe. I’ve been curating that space ever since.

What do you see as art’s role in the cafe?

It’s interesting to be asked this question right after the recent remodel. When we re-opened in early December, we were waiting for everything to be dried and painted before installing Wendy Red Star’s show, and so the walls were bare for almost a week. Walking in the cafe felt very cold, almost as if there were no life to the space. The baristas were all telling me, “I can’t wait for the art to go up!” And once it did, it was a complete transformation. So with that in mind, I’d say a huge role of art in the cafe is for the space to come alive, to have a soul in a way.

Another important role is that the monthly exhibitions in three of our Portland cafes have, in a way, been supporting artists ever since our beginnings in 1999 by providing them a space to show their work in a professional manner, reach new audiences, and hopefully make some sales to pay for that ever more expensive art studio.

Finally, I’m always thinking about our customers and staff, and hope the art I choose can add something special or unexpected to their day, whether it’s visual or something more existential.

Growing up I can think of a few specific cafes in the Seattle and Tacoma area (where I’m from) that featured rotated art shows. These spaces left an impression on me, and I’m curious if you have similar cafes from yesteryear whose approach to art inspired you?

I grew up in France where, as far as I can remember, cafes don’t really show art being made at that moment. After moving to Portland in 2000, I first started noticing art outside of traditional galleries at places like the Albina Press (curated at the time by Gretchen Vaudt), Valentine’s (curated at the time by Jen Olesen), and Stumptown (curated at the time by Daniel Gonzalez). I also remember big art parties like the Alphabet Dress and the Modern Zoo, which were thrown by artist-run DIY collectives. These very much informed my wanting to be involved in the visual arts scene.

How did you come to work with the artist Wendy Red Star?

When I first met our CEO, Sean Sullivan, we talked about his vision for the Downtown cafe, how art was going to have a greater place in it with the remodeling, and he told me to “aim high.” He asked specifically, “If you could show anyone in Portland, who would it be?”  Wendy was one of the first artists who came to mind. I had seen her work last year at the Portland Art Museum and it had a strong impact on me. I reached out to her and she accepted to be the first artist to show at the cafe after the remodel. We did not tell her about the Stumptown Artist Fellowship until we announced the program in early December and her as the first recipient. I love the fact that after showing in numerous museums and larger institutions, she was excited to show in a coffee shop. When I talked to her about that, she mentioned having always wanted to show in a coffee shop and being somewhat disappointed when she was in college that her friends would get shows and she didn’t. So she said she saw the exhibition as her homecoming and loved the idea of being able to show to a large audience here in Portland where she lives.

Why do you think work like Wendy Red Star’s is so vital to exhibit in a public space?  

First of all, I love that people who either can’t afford to visit museums or don’t have the habit, will get to see her work. There is something very democratic about that.

I think it’s important as well to show work which is not just purely visual or “pretty,” but which also asks the audience to take a moment out of their busy lives to reflect on the past and on the world we live in. The series Wendy is presenting is very subtle but also extremely powerful. We have to look at ourselves while looking at these life size portraits of Crow women. Our environment/world is reflected in the work, you might catch someone in the “background” taking a selfie with their latte art, it is such a shocking and somewhat absurd contrast from the world these women inhabited. I’m also thinking about Wendy’s statement. How she wrote, “Since leaving my reservation at age 18 to attend college I have often felt alone,” and so the idea of these Crow children and women being there is important in that they would make her, and others like her, feel less alone when they visit the space.

Thank you. 

Wendy Red Star’s exhibition at Stumptown’s Downtown Portland closes Wednesday, January 31st. A reception for incoming artist Jennifer Brommer will be held on Wednesday, February 7th from 5-7pm. Attendance is free and open to the public. 

Jordan Michelman is a co-founder and editor at Sprudge Media Network. Read more Jordan Michelman on Sprudge.

Disclosure: Stumptown Coffee Roasters is an advertising partner on Sprudge Media Network. 

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As Total Retail Coffee Sales Stagnate, Cafe Sales Increase

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The American economy is doing pretty, pretty, pretty okay right now. Or at least that’s what Bloomberg Markets is saying; I really have no idea. I know the Dow Jones did a thing and the president didn’t tweet about it but everyone thought he did because it seemed like something he would say and what even is reality anymore. And when the economy is humming, Americans are more likely to go out to cafes for their daily coffee, which is a good thing. But as Bloomberg notes, that isn’t necessarily new money coming into the coffee sector, but money that would be spent elsewhere—namely buying coffee at a grocery store—shifting to the cafes.

In 2017, total retail coffee sales is believed to have dropped from 766,000 metric tons to 764,000 and is expected to stay flat through 2022. But in that same timeframe, retail sales in coffee shops and restaurants are expected to increase 1% annually.

“The coffee industry as a whole can’t expect everyone to be growing together,” [Euromonitor International analyst Eric] Penicka said. “Coffee’s been a mainstay of American culture for hundreds of years and is not about to die. There’s going to be pockets of growth. But the flip side of that is that it will come from already existing segments.”

Bloomberg notes that this shift in coffee purchasing is likely to benefit “boutique shops such as Intelligentsia Coffee and Stumptown Coffee Roasters.”

So while we as Americans aren’t drinking more coffee, we appear to be more selective in what coffee we drink. With sales moving away from supermarket coffee—dominated by things like Folgers, Maxwell House, and other pre-ground bulk-buy coffees—and to cafes, even if those cafes are Starbucks, the shift seems to be toward specialty coffee. Sure, not all cafes are specialty and there are some coffees sold at supermarkets that would be considered “third-wave,” but nonetheless the move is toward the small and the craft, away from the six-month supply. Maybe the majority of America is starting to come around to the idea that coffee isn’t just coffee after all.

Zac Cadwalader is the news editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

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Black Coffee: The New Event From Michelle Johnson Premieres April 24th

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My dear coffee friend, come, sit. It’s time for us to have “the talk.”

It may seem like we’ve had this talk before—the one that involves race and how it intersects with coffee culture, but trust me when I say we’ve barely scratched the surface. We’re living in a time where having difficult conversations about our social climate are becoming unavoidable. They shouldn’t be avoided to begin with; people in the United States and beyond aren’t being afforded the most basic of rights in 2018.

Nearly two years ago, I presented an examination of what this looked like as a barista through my personal lens as a Black woman. Many of the things I experienced still stick with me. Some of them are haunting and others, just pure annoyances.

Since first publishing The Chocolate Barista in 2016, the resulting ripple effect has been mostly positive. I have been able to connect with other Black coffee professionals who knew my experience intimately. They were living it themselves, but many had never vocalized it. There’s now a strong, growing community of us supporting each other through camaraderie and amplification of each other’s ventures. We now have a Black man on the Barista Guild of America Executive Council—an historic first. Groups like I See You and the Boston Intersectional Coffee Collective are hosting events centering coffee professionals of color, driving home the point that we’re still fighting for visibility, representation, and access to opportunities in the industry.

And I put a strong emphasis on still. While there has never been more dialogue surrounding social issues in coffee, race rarely gets much airtime. More often than not, the role of race in coffee culture goes largely ignored. And yet, we have such a rich opportunity right now to change all that. To examine the role that race plays in issues across the coffee industry, from gender discrimination—you can’t ask Black women to pick which identity to fight for over the other—to issues of gentrification, identity, and the creation of global coffee shop culture.

The microphone is far too often passed over us when the opportunity for dialogue comes.  We don’t want to be spoken for—we want to speak.

In a special live podcast event from yours truly, creative director Michelle Johnson (The Chocolate Barista) and produced by Sprudge Media Network, I invite you to come join a conversation about race and coffee culture.  The panel-style discussion will cover a range of topics from workplace dynamics to the Black consumer experience, and also dive into how we make coffee culture all our own, led by us, for us.

This is Black Coffee.

The event takes place on Tuesday, April 24th from 6-9pm at the Clinton Street Theater, a classic cinema and live theater venue in the heart of Southeast Portland, Oregon. Ticket pre-sale is now available. Hosted by Ian Williams (Deadstock Coffee), Gio Fillari (Coffee Feed PDX), and myself, you’ll hear from Black coffee professionals and enthusiasts alike, all with unique perspectives that span intersectional identities and roles on the retail end of the value chain. Special guests include D’Onna Stubblefield (Counter Culture Coffee), O.M. Miles (IKAWA), Zael Ogwaro (Never Coffee), Adam JacksonBey (The Potter’s House), and Cameron Heath (Revelator Coffee Company).

We’re excited to partner up with several sponsors for this event, including La Marzocco USA, Stumptown Coffee Roasters, Oatly, and The Ace Hotel Portland. Ticket proceeds will be donated to our charitable partners, Sankofa Collective and Brown Girl Rise.

Black Coffee tickets are $10 pre-sale, $15 at the door. We’re offering a limited number of VIP tickets that include an invite to the after party at Sprudge Studios, and a special “come down” event the following morning.

We hope you can join us April 24th in Portland! This could be the start of something special, and you’ll be able to hear it all in a podcast presentation following the event. Much more details and additional partners to be announced in the coming weeks. Follow Sprudge for more details.

#blackcoffeePDX

Original poster art by Taylor McManus (@tmcmanusillustration) with many thanks. 

Michelle Johnson (@thechocbarista) is the publisher of The Chocolate Barista, and the marketing director at Barista Hustle. Read more Michelle Johnson on Sprudge.

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NXT LVL Joins Michelle Johnson’s Black Coffee Event On April 24th

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BLACK COFFEE, the new event from creative director Michelle Johnson, debuts in Portland, Oregon on April 24th. This live podcast event draws from the coffee industry’s deep pool of Black intellectual and industry leadership, for a lively two-hour original block of programming presented in a theater format. Tickets are on sale now, and listeners worldwide can join us by subscribing to the Coffee Sprudgecast on iTunes.

We’re thrilled today to announce a new partner for the event: NXT LVL, a grassroots collective based in Portland dedicated to “partying for social justice.” Founded in late 2016, NXT LVL’s mission is to “center and amplify WOC/QTPOC/Two Spirit voices and causes.” From dance parties to film screenings, beach vogues to fundraising dinners to epic festivals, NXT LVL has been a guiding force behind some of Portland’s best events of the last two years. BLACK COFFEE is their first event in the coffee space, and we are delighted to welcome the team at NXT LVL as partners on April 24th.

“NXT LVL echoes the need and support for conversations and dialog around these important race issues,” says NXT LVL founding member Connie Wohn. “[NXT LVL] wants to see the community coming together to have in a positive environment.”

NXT LVL joins event partners La Marzocco USA, Stumptown Coffee Roasters, Oatly, and The Ace Hotel Portland. Ticket proceeds will be donated to our charitable partners, Sankofa Collective and Brown Girl Rise.

Please watch this space for more announcements about BLACK COFFEE in the coming days, and we hope you can join us April 24th in Portland, Oregon. Buy tickets today. They are going fast!

TICKETS TO BLACK COFFEE APRIL 24TH PDX 

Original poster art by Taylor McManus (@tmcmanusillustration) with many thanks. 

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Black Coffee Is Coming April 24th

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We’re just a few short days from Black Coffee, a new live podcast event from creative director Michelle Johnson in Portland, Oregon. Tickets are available here, and today we’ve got some exciting additions to the programming to announce!

The event takes place on Tuesday, April 24th from 6-9pm at the Clinton Street Theater, a classic cinema and live theater venue in the heart of Southeast Portland, Oregon. Ticket pre-sale is now available. Hosted by Michelle Johnson, Ian Williams (Deadstock Coffee), and Gio Fillari (Coffee Feed PDX), this event centers the voices and experiences of Black coffee professionals and enthusiasts alike, all with unique perspectives that span intersectional identities and roles on the retail end of the value chain. Special guests include D’Onna Stubblefield (Counter Culture Coffee), JUST ADDED Ezra Baker (Share Coffee Roasters), Zael Ogwaro (Never Coffee), Adam JacksonBey (The Potter’s House), and Cameron Heath (Revelator Coffee Company). The main event at Clinton Street Theater will feature a live DJ performance by |Fritzwa|.

We’re excited to partner up with several sponsors for this event, including La Marzocco USA, Stumptown Coffee Roasters, Oatly, and The Ace Hotel Portland. Ticket proceeds will be donated to our charitable partners, Sankofa Collective and Brown Girl Rise. We are thrilled to have this event supported by NXT LVL, Portland’s partiers for social justice—read more about their involvement with the event here.

Black Coffee tickets are $10 pre-sale, $15 at the door. We’re offering a limited number of VIP tickets that include an invite to the after party, and a special “come down” event the following morning. A little update regarding the afterparty: due to demand this event has been moved to the Society Hotel, featuring DJ VNPRT, natural wine selections by Sprudge Wine, and dessert catering from Kee’s Loaded Kitchen.

We hope you can join us April 24th in Portland! But if you can’t make it, don’t worry—we’re planning on creating wall to wall coverage of the event, including a special podcast presentation to follow. Follow Sprudge for more details.

#blackcoffeePDX

Read Michelle Johnson’s statement of intent for the event here

Read more about NXT LVL’s partnership with the event here.

Original poster art by Taylor McManus (@tmcmanusillustration)

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